<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">
    <title>immanence</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/" />
    <link rel="self" type="application/atom+xml" href="http://aivakhiv.blog.uvm.edu/atom.xml" />
   <id>tag:aivakhiv.blog.uvm.edu,2010://1</id>
    <link rel="service.post" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1" title="immanence" />
    <updated>2010-02-09T06:00:16Z</updated>
    <subtitle>thinking the form, flesh &amp; flow of the world
ecoculture, geophilosophy, mediapolitics</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type 3.34</generator>
 
<entry>
    <title>knowledge wants to be free, doesn&apos;t it?</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/02/knowledge_wants_to_be_free.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=240" title="knowledge wants to be free, doesn't it?" />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.240</id>
    
    <published>2010-02-09T01:52:56Z</published>
    <updated>2010-02-09T06:00:16Z</updated>
    
    <summary>Publishers are starting to catch up to AAAARG.org, the rapidly growing file-sharing megalibrary for cultural theory and philosophy books, which currently makes available PDF files of hundreds of books that I would love to have but couldn&apos;t realistically afford to buy. (See Columbia University Press&apos;s cease and desist letter here.) At least I couldn&apos;t afford all of them. On my...</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>Academe</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p>Publishers are starting to catch up to <a href="http://a.aaaarg.org/">AAAARG.org</a>, the rapidly growing file-sharing megalibrary for cultural theory and philosophy books, which currently makes available PDF files of hundreds of books that I would love to have but couldn't realistically afford to buy. (See Columbia University Press's cease and desist letter <a href="http://aaaaarg.org/files/textz/9459-cease_and_desist.pdf">here</a>.) At least I couldn't afford <em>all</em> of them. On my professor's salary I could certainly buy the ones I want <em>most</em> -- after looking up some reviews, viewing the pages that Google Books (and/or the publishers) make available online, or actually walking to the campus library to sign them out just so I can see how much I really need to have my own copies. (Which means that at any given time I might have over two hundred books out on indefinite loan from the library, and that my most common excuse to visit the library is to return something in response to another borrower's request for it.) But the library option often means special-requesting a book first and waiting weeks for it to arrive (if that happens at all), or recalling it from another borrower -- which leaves me feeling rotten enough for taking it away from someone else that I rarely end up resorting to that. (Do unto others as you would have others do unto you.) And when I buy, there's usually still that grad-studenty, budget-conscious voice in the back of my head asking if I really need this book, or will it just sit on a shelf and gather dust? </p>

<p>I imagine, though, that for the actual grad students and untenured academics who probably make up the bulk of AAAARG's membership (along with some voracious intellectuals outside academe who have no access to a university library, and librarians or publishers' employees subverting the system from within), most of these aren't very realistic options. (For one thing, the book is probably out of the library in some professor's office when you need it most.) And part of the value of a site like AAAARG is that it brings all these materials together in one place and -- although the site doesn't exploit this nearly as much as it could -- that it can generate conversations about and around them in the process of making them available. So in addition to being a kind of <em>dream</em> library -- because of the selection, but also because the books are always there on the shelf, to be read (or downloaded) whenever you need it -- a site like this could also be a reading room and a virtual cafe with speakers, conversations, performative denunciations and adulations and rousing manifestos, and whatever else might happen when a bunch of intellectuals gather together around their favorite authors. </p>

<p>That little bit of (not so) utopian fantasizing aside, there's something about wandering the aisles of this library that feels less like sitting in the comfortable couch of a Barnes and Noble or, better yet, one's favorite local bookstore that's somehow survived the onslaught of the chain stores -- or for that matter even the pages of Amazon, with all its reviews and commentary -- and that feels more like sneaking through the porn section of a video rental joint. The titles are written in black ink on white covers, with little or no information about them until you load them in your VCR. Some of them are misfiled or mistitled. Many have fingerprints all over (notes in the margins, black bands running down the sides of a bad photocopy job). There's no colorful display of the current hot sellers, the store manager's and employees' selection of current favorites, or discounted copies of publisher's deleted titles. And certainly no coffee.</p>

<p>So what do we make of this new tug-of-war, which echoes the skirmishes between record companies and Napster-inspired mp3 file-sharers, and all the many variations of the intellectual property rights game to be played out on similar battlefields in years to come? I know that information "wants to be free," and that the same should go for knowledge and ideas. But I also know that there's a price to be paid for their production: even if most scholarly books generate little if any profit, if the publishers didn't make their money back -- at least some of it (where they're supplemented by institutional subsidies, private endowments, government grants, and the like) -- then it wouldn't be possible to produce those hand-held, flippable paper-and-ink bundles the world has come to know and love. </p>

<p>As with media, music, and everything else these days -- witness the <a href="http://books.google.com/booksrightsholders/agreement-contents.html">recent agreement</a> between <a href="http://www.googlizationofeverything.com/">Google</a> and publishers, libraries, and authors' guilds, which has advanced things somehow, but <a href="http://www.nybooks.com/articles/23565">no one seems</a> to agree <a href="http://www.nybooks.com/articles/23518">exactly how</a> -- we are (<em>pace</em> Yeats) struggling toward Bethlehem to be born... into a new model of digitally accessed texts with flexible copyrights, scalable pricing, incentive, and availability structures, and other things we couldn't have dreamed of just a few years ago. Part of the pressure for a new model is coming from publishers (and record producers, et al.) who don't want to see their profits continue falling -- or their losses escalating. But part of it comes from those who are setting the data <em>free</em> by opening up one space after another where it can be freely exchanged. This is good, because it shows us that the baseline assumptions about access and availability have changed and that we need to address the new assumptions -- about information's "wanting to be" free -- directly. And if a few dinosaurs like the music industry giants end up collapsing of their own weight in the process, then so it goes. What's important here is the flow of knowledge and creativity <em>and</em> the possibility of making a living at it, but not necessarily every single way to profit from<em> others' </em>knowledge and creativity. The latter constitutes a second layer built atop the first, a layer that in some respects might be expendable at the end of the day. </p>]]>
        <![CDATA[<p>As far as knowledge goes, as opposed to commerce and entertainment, expanding access should be a fundamental starting point. When I'm researching a topic, whether it's the reception by film theorists of Gilles Deleuze's writings on cinema or social theorists' analyses of the political economy of contemporary Haiti, having all of their writings (books and articles) available and fully searchable at my fingertips is just, well, such a quantum leap forward from where we were a couple of decades ago that it's hardly even worth mentioning. The way we used to think about these things was by asking how we can make available those things we wish to see distributed widely, but without penalizing those who produce and distribute them. And the answer was: public libraries! This left intact the marketing and intellectual property rights systems that kept the books in production, but also created a shared space for accessing these materials freely, or at little cost, with only the commitment that we all had (back then) to a shared minimum of taxpayer supported public culture.</p>

<p>Public libraries are still around, at least in the better places to live, but many are struggling and not keeping up well with the expanding needs of our day. And I think the baseline question has changed from how to make things <em>available </em>-- that's easy: you put them online -- to how to provide ways of compensating their producers so as to keep them wanting to produce more of them. What kinds of arrangements will provide incentives for those who do the work that others value? Beyond  popularity alone, alongside a guaranteed minimum wage (well, okay, let's leave that one aside until the next utopian moment), what else would an author want or need? <a href="http://www.earlham.edu/~peters/fos/overview.htm">Open access</a> theorists have thought about this and devised some simple but flexible incentive structures (such as <a href="http://creativecommons.org/choose/">Creative Commons licenses</a> and other things), but we're a long way from figuring it all out yet.</p>

<p>As for AAAARG, most of its authors are either scholars, who make a living not from their writings but from the (public or private) institutions that support them -- and who might be quite happy to allow other scholars to access their books without buying them -- or else they're <em>dead</em>. (Or both.) Neither Plato nor Foucault will care if you steal their book or pay forty-five dollars for its latest edition, and those who care about that on their behalf are, arguably, following the old model. As for whether <a href="http://a.aaaarg.org/text/9063/after-method-mess-social-science-research">John Law</a>, <a href="http://a.aaaarg.org/text/9554/refractions-reality-philosophy-and-moving-image">John Mullarkey</a>, or <a href="http://a.aaaarg.org/text/4460/elizabeth-grosz-essay-collection">Elizabeth Grosz</a> will mind that I recommended their PDFs to my students because hard copies were so expensive or difficult to find in this form, I don't know. I guess I'll wait and see if anyone tells me I shouldn't have.</p>

<p><em>See the <a href="http://www.futureofthebook.org/">Institute for the Future of the Book</a>'s <a href="http://www.futureofthebook.org/blog/">if:book</a> blog for some good thinking on these topics.</em></p>]]>
    </content>
</entry>
<entry>
    <title>Bergson &amp; the universal image machine</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/02/old_guys_getting_it_together_again_dept.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=195" title="Bergson &amp; the universal image machine" />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.195</id>
    
    <published>2010-02-05T14:22:59Z</published>
    <updated>2010-02-05T16:02:25Z</updated>
    
    <summary>There&apos;s something about our time that is very Bergsonian, in the sense that there&apos;s a kind of simultaneous opening up of the past and the future, the former  feeding the possibilities of the latter. At the same time as new technological tools propel us ever forward on trajectories of embodied interactivity (the internet, iPod-iPhone-iPad, YouTube, Facebook-Twitter, etc.), recording technologies (those that preserve something of the present for the future) combine with technologies of retrieval (those that unlock the past, from historical and archaeological tools to sampling technologies, about which see Copyright Criminals) to enable an ever deeper digging into and opening up of the past. In the process, the past becomes fuel for the reinvention of ourselves toward the future, this reinvention always taking the form of images -- which, for Bergson, are central, the shimmering half-way point between mind and matter. [. . .]

Meanwhile, new films are made from the images of the past. This documentary on &quot;Krautrock,&quot; the German progressive, avant and space rock movement of the late 1960s and 1970s, is quite good: [. . .] The music had its fans at the time (more in the UK than in North America), but the documentary does a great job putting it into the much broader context of post-war Germany, the 1960s, the psychedelic revolution, and all that. And yet somehow it doesn&apos;t feel dated to me; on the contrary, it feels as fresh as tomorrow&apos;s news, because I know there are fans out there, Radiohead generation kids and remixers and whoever else listening to these things and reviving them in ways I wouldn&apos;t have imagined possible back in the days when the music industry seemed like one stifling oligopoly. 

None of these are standard History Channel fare. All are products of the internet and MP3-era explosion of musical tastes, one of the cultural victories of our day -- the losers being the big music corporations, or at least what they stood for. The corporations themselves are still around, of course, doing the same thing corporations do, and even if they weren&apos;t, they would simply have been replaced by others, made from the same movable parts of the corporate machine. But technology moves forward despite them. [. . .]</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>ImageNation</b>]]>" />
            <category term="<![CDATA[<b>MediaSpace</b>]]>" />
            <category term="<![CDATA[<b>SoundScape</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p>There's something about our time that is very <a href="http://books.google.com/books?id=Wh-1-5sLPh8C&dq=bergson+memory+and+matter&printsec=frontcover&source=bn&hl=en&ei=gOBMS9_0F4LS8Qa2vKGFDg&sa=X&oi=book_result&ct=result&resnum=4&ved=0CBgQ6AEwAw#v=onepage&q=&f=false">Bergsonian</a>, in the sense that there's a kind of simultaneous opening up of the past and the future, the former  feeding the possibilities of the latter. At the same time as new technological tools propel us ever <em>forward</em> on trajectories of embodied interactivity (the internet, iPod-iPhone-iPad, YouTube, Facebook-Twitter, etc.), recording technologies (those that preserve something of the present for the future) combine with technologies of retrieval (those that unlock the past, from historical and archaeological tools to sampling technologies, about which see <a href="http://video.wttw.com/video/1367280675/">Copyright Criminals</a>) to enable an ever deeper digging into and opening up of the <em>past</em>. In the process, the past becomes fuel for the reinvention of ourselves toward the future, this reinvention always taking the form of <em>images</em> -- which, for Bergson, are central, the shimmering half-way point between mind and matter.</p>

<p>Let me explain. I get that feeling of simultaneously backward and forward glancing, pastwardness and futurity, when, browsing around on YouTube, I find things I never would have thought I'd be coming back to. It's as if the past were an image archive that is being gradually dredged up, and its fossilized pieces are being liquefied and turned into blood flows that will revive and strengthen certain affective molecular currents, currents still in circulation in the collective social body of the present. </p>

<p><a href="http://www.youtube.com/watch?v=FlJKKtgreqw">Here</a>, for instance, is <a href="http://en.wikipedia.org/wiki/Magma_%28band%29">Magma</a>, whose potent mix of <a href="http://www.youtube.com/watch?v=-0x1jsVuduU">late John Coltrane</a>-style free-jazz intensity, <a href="http://www.youtube.com/watch?v=xU23LqQ6LY4&feature=related">Steve Reichian</a> symphonic minimalism, <a href="http://www.youtube.com/watch?v=faybrq-2IUo&feature=related">Carl Orffian</a> operaticism, and hard, driving rock, sent (mostly French) audiences into spells of ecstasy in the early 1970s. While that performance is from 2006 (old guys getting it together again), it would hardly have happened were it not for the redistribution of their records, archival recordings, and films as DVDs, MP3s, YouTube videos, and the like. Here's the <a href="http://www.youtube.com/watch?v=aHEfJdAKODQ&feature=related">guitar solo from Kohntarkosz</a>. And then there's this <a href="http://www.youtube.com/watch?v=NwWteJG7LW4&feature=related">bizarre film outtake</a> from 1972, with Catholic priests grooving to the Kobaian rhythms. (Kobaia is the planet Magma presumably 'channeled' in a series of albums in the 1970s.)</p>

<p>Meanwhile, new films are made from the images of the past. This documentary on "Krautrock," the German progressive, avant and space rock movement of the late 1960s and 1970s, is quite good:</p>

<p><object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/3B89-69icyc&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/3B89-69icyc&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="224" height="136"></embed></object></p>

<p>The music had its fans at the time (more in the UK than in North America), but the documentary does a great job putting it into the much broader context of post-war Germany, the 1960s, the psychedelic revolution, and all that. And yet somehow it doesn't feel dated to me; on the contrary, it feels as fresh as tomorrow's news, because I know there are fans out there, Radiohead generation kids and remixers and whoever else listening to these things and reviving them in ways I wouldn't have imagined possible back in the days when the music industry seemed like one stifling oligopoly. (You can watch all of it on <a href="http://coilhouse.net/2009/12/krautrock-the-rebirth-of-germany/">Coilhouse</a>. Thanks to <a href="http://mutateweb.com/archives/2010/01/12/krautrock-documentary-the-rebirth-of-germany/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+Technoccult+%28Mutate%29&utm_content=Google+Reader">Mutate</a> for the tip.)</p>

<p>None of these are standard History Channel fare. All are products of the internet and MP3-era explosion of musical tastes, one of the cultural victories of our day -- the losers being the big music corporations, or at least what they stood for. The corporations themselves are still around, of course, doing the same thing corporations do, and even if they weren't, they would simply have been replaced by others, made from the same movable parts of the corporate machine. But technology moves forward <em>despite </em>them. <br />
</p>]]>
        <![CDATA[<p>What are the limits to this dredging and setting into motion of the past? The most obvious answer is that the past is divisible into the era of reproducible images and the era that preceded it: <em>BP</em> (before photography) and <em>AP </em>(after), or something like that. Perhaps one day we'll count backwards to (what we now call the year) 1825, which will be the new Year Zero, when the <a href="http://www.hrc.utexas.edu/exhibitions/permanent/wfp/">first permanent photograph</a> was produced by Joseph Nicéphore Niépce in Chalon-sur-Saône, France. Sound technologies came later, and touch and smell reproduction is still, presumably, in its infancy.</p>

<p>But even these demarcations in time seem artificial. Re-creations of the past, stillings of moments intended for preservation as teaching tools, sacred objects, memory emblems, political symbols, personal mementos -- all have been with us for as long as there has been something like what we call <em>art</em>. The past, as Bergson (and Deleuze) have argued, is present as memory, and, as such, always remains open to reinterpretation, indeed reconstruction, in the future. It's always accompanied by virtual possibilities that come to us as feelings, affects, images that flow through us and remake who we are as we open ourselves to them. And as the technologies of historical and archaeological reconstruction allow us to open to them further, deeper (for instance, unlocking the secrets of <a href="http://www.youtube.com/watch?v=h315HnKWqH4">ancient Greek music</a>; click below), we can reinvent ourselves based on a selection of what we take from the past. </p>

<p><object width="350" height="36"><param name="movie" value="http://www.studio360.org/flashplayer/mp3player.swf?config=http://www.studio360.org/flashplayer/config_share.xml&file=http://www.studio360.org/stream/xspf/108709"></param><param name="wmode" value="transparent"></param><embed type="application/x-shockwave-flash" src="http://www.studio360.org/flashplayer/mp3player.swf?config=http://www.studio360.org/flashplayer/config_share.xml&file=http://www.studio360.org/stream/xspf/108709" id="STUDIO360_Mp3_Player_108709" name="STUDIO360_Mp3_Player_108709" bgcolor="#FFFFFF" wmode="transparent" height="36" width="350"></embed></object></p>

<p>I'm hazarding a guess that <a href="http://books.google.com/books?id=Wh-1-5sLPh8C&dq=bergson+memory+and+matter&printsec=frontcover&source=bn&hl=en&ei=gOBMS9_0F4LS8Qa2vKGFDg&sa=X&oi=book_result&ct=result&resnum=4&ved=0CBgQ6AEwAw#v=onepage&q=&f=false">Matter and Memory</a> will increasingly be seen as a signpost on the way to a new understanding of time, memory, and the image, an understanding appropriate to a world that is simultaneously image, archive (memory), and movement forward. Something along the lines suggested by Chris Marker's <em>Sans Soleil</em> -- which is viewable in its complete form, in French with Spanish subtitles, <a href="http://video.google.com/videoplay?docid=2459111438622342949&ei=ouxMS_LyJInKqgLp5JiwBg&q=sans+soleil+chris+marker&hl=en#">here</a>. </p>

<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/rKOJUgTqFtY&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/rKOJUgTqFtY&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="212.5" height="172"></embed></object></p>

<p>Chris Marker's <em>Sans Soleil</em>. (Godard's <a href="http://www.youtube.com/watch?v=PLiwUrrYl9s">Histoire(s) du Cinema</a> does a similar kind of archival image-retrieval-remix thing, but spread out over several hours; and, so far, without English subtitles.) </p>

<p><em>A quick afterthought: </em>I should just make clear that by "image" I don't mean an exclusively "visual image"; I mean the entirety of the perceivable object -- image, sound, and whatever else our sensory apparatus lets us take in of it. For Bergson, the universe is an "aggregate of images," as, for Peirce, it is an aggregate of signs, semiosis all the way down. The two perspectives are compatible, since semiosis refers to the referentiality of signs, or images, the way they indicate other things, other objects, other signs, in an endless Derridean-like network, but with the perceiver, the meaning-beholder, as part of that network. For Bergson it is our material bodies (which seen from the outside are images too) that emplace us within that network and provide the hinge from which we act and affect it. Images are imbued with affects, so the "universal image machine" that I refer to in the title of this post is, in a sense, just another name for the machinic ecology of the universe (in Deleuze & Guattari's terms) as it is being reworked and amplified in our image technologies (film/"moving image," image production, retrieval, and synthesis technologies, etc.). All of which are moving more and more quickly around us...</p>]]>
    </content>
</entry>
<entry>
    <title>Bryant&apos;s objects &amp; a possible object/subjectology</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/01/reading_levi_bryants_blog_feels.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=234" title="Bryant's objects &amp; a possible object/subjectology" />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.234</id>
    
    <published>2010-01-31T19:38:36Z</published>
    <updated>2010-01-31T19:42:49Z</updated>
    
    <summary> Reading Levi Bryant&apos;s blog sometimes feels like having a brilliant storm of white-hot thought rain down upon one&apos;s backyard garden, the shoots struggling to stay vertical, but rendered that much stronger after the rain. There are wonderful passages in his recent musings on ethics, relations, objects, and ontology. From Ethical Etymologies: Thinking Out Loud (Always Dangerous), for instance: &quot;Where...</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>GeoPhilosophy</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p><a href="http://photos.mongabay.com/yucatan/PICT0002.html"><img alt="PICT0002.JPG" src="http://aivakhiv.blog.uvm.edu/PICT0002.JPG" width="200" height="129" /></a></p>

<p>Reading Levi Bryant's blog sometimes feels like having a brilliant storm of white-hot thought rain down upon one's backyard garden, the shoots struggling to stay vertical, but rendered that much stronger after the rain. There are wonderful passages in his recent musings on ethics, relations, objects, and ontology. From <a href="http://larvalsubjects.wordpress.com/2010/01/31/ethical-etymologies-thinking-out-loud-always-dangerous/">Ethical Etymologies: Thinking Out Loud (Always Dangerous)</a>, for instance:</p>

<p><small><p style="font-family:verdana">"Where today we tend to think of character almost exclusively as a moral or ethical property, character should probably be thought as “power” (in the sense of “capacity” or “ability”, or what a thing can <em>do</em>), or “nature” (in the sense of the “nature of a thing”, not in the sense of <em>φύσις</em>). In this respect, <em>ἦθος </em>is closely bound up with the Greek concept of <em>arete </em>or “excellence” (<em>ἀρετή</em>), which would later become the Latin <em>virtus</em>, which, importantly, has connotations of power (in the sense of capacity or ability) and strength. Again, it is sad how degraded the concept of virtue has become worn or degraded. The key point not to be missed with respect to the Greek concept of <em>ἀρετή </em>is that <em>ἀρετή </em>is not an exclusively <em>human </em>property. All entities, for the Greeks, have their “<em>ἀρετή</em>“, and in many respects this <em>ἀρετή </em>constitutes the proper being of an entity. Thus, for example, the <em>ἀρετή </em>of a hawk is its keen eyesight, its sharp talons, its ability to fly swiftly, and so on. The <em>ἀρετή </em>of a tree might be its sturdiness, the manner in which it reaches to the heavens, its ability to resist heavy winds, and so on. The Greeks, it would seem, were Deleuzian ethologists well before Deleuze, defining entities in terms of their powers, capacities, or excellencies, rather than qualities."</small></p></p>

<p>What follows are some comments on <a href="http://larvalsubjects.wordpress.com/2010/01/30/meriologies-and-objects/#more-3029">Levi's response</a> to my concerns (which he identifies correctly) about object-oriented ontology's premise of the absolute independence of objects from each other.<br />
</p>]]>
        <![CDATA[<p>In general, that response (and his summary of Graham Harman's) satisfies me that the object-oriented ontologists are well aware of relations, and the fact that he includes Whitehead and Latour within a "relationalist" wing of object-oriented ontologists strikes me as a shrewd but justifiable way of expanding the scope of the objectological project -- which is fine by me (though most Whiteheadians and Latourians probably aren't aware or don't abide by the OOO terminology, at least not yet). Levi's own definition of objects as two-sided (he calls them "split," though for me this suggests a psychic rending that I'm not sure is necessary) -- as "<em>powers</em>, <em>capacities </em>to <em>act</em>, or <em>tendencies</em>" that "withdraw behind their qualities and parts" in that "in actualizing a particular quality or an extensive form (a spatial configuration) the virtuality of the object or its endo-relational structure and attractor-singularities are not exhausted" -- sounds like a suitably relational understanding of objects. That is, while the objects withdraw <em>from</em> their relations (qualities, etc.), that they are "split" suggests to me that they are <em>both</em> their relations <em>and </em>what's left behind, the latter part remaining "unrelated" and maintaining an endo-relational structure that is unknown to those (including us) who may try to know them through relationship.</p>

<p>This suggestion in Bryant's and Harman's work that objects "withdraw" from <em>our</em> (i.e., any observer's) full knowledge of them is attractive to me, in part, because it provides a recognition that we <em>cannot know</em> things without <em>affecting</em> them -- that practices of knowledge-making are always practices of acting on the world. (This is something that both Latour's actor-network theory and John Law's notion of science as enactive "method assemblage" acknowledge, as do certain other forms of post-positivist philosophy of science.) Harman's insistence that objects do not "touch" still seems odd to me, and inconsistent with Bryant's acknowledgment of objects' "splitness," since the latter implies that at least one side of an object touches at least one side of another object. But I'll leave that difference for the two of them to work out.</p>

<p>I also like Levi's summary of Althusserian social theory and its "cascade of consequences" for French social theory since then. His argument is that had French social theory not ignored the part-within-whole "meriology" of relations between societies and the parts that make them up (individuals, social groups, etc.), then we would no longer be searching </p>

<p style="font-family:verdana"><small>"for the “Christ-point” in these endo-relational structures of the “empty square”, “degree zero”, “void”, or “subject”. Rather, the issue would become that of investigating how objects can act on one another, how they interact, and how it is possible for objects that are parts of another object to change the object of which they are a part. For example, how is it possible for a group – what Guattari, following Sartre, called a “subject-group” – to act on and change the endo-relational structure of the social object in which its enmeshed but from which it is nonetheless autonomous. And here one of the central questions would be one of how to navigate the autopoietic feedback loops that characterize the endo-relational structure of the social object as it strives to regulate the smaller scale objects of which it is composed, but from which it is nonetheless distinct. These feedback loops are points in phase space, limiting the basins of attraction of the social system. <em>The issue here becomes that of how to avoid being enmeshed in these tendencies, feedback loops, or attractors such that ones actions simply end up </em>re-enforcing <em>the endo-relational of the structure, and how it is possible to push social systems into new basins of attraction without generating catastrophe. </em>The point, however, is that there is already an autonomy within these systems. The question is that of how it is possible to act on the endo-relational organization of these systems." (emphasis added)</small></p> 

<p>This is very nicely put, and it's a good reason for social theorists to look beyond the post-Althusserian school for an understanding of how social change comes about.</p>

<p>As an aside, I just want to point out a very minor quibble regarding Levi's use of ecological theory: "An ecological system," he writes, "is <em>one </em>object. It has a unique endo-relational structure that makes it act as<em> one</em>. But this ecological system both contains other ecological systems (for example, the ecology of a <em>single </em>tree in a rain forest), and contains <em>other </em>objects (frogs, trees, insects, soil, droplets of water, bacteria, birds, etc., etc., etc.)." This, however, reflects an outdated view of ecosystems, which has been rejected by the majority of scientific ecologists. An ecosystem is now generally seen as a convenient abstraction, but not a genuine entity, or at least not one that "acts as one" in any meaningful sense, i.e., in relation to its environment. The boundaries of an ecosystem cannot be pinned down definitively the way that the boundaries of an organism, more or less, can (with, of course, openings that make possible an inflow and outflow of energy, etc.). The same point, I think, would apply to social systems, at least as we know them today. But in principle the argument here remains sound, as one could find other examples that fit it well. </p>

<p><a href="http://skonieczna.wordpress.com/2009/05/04/chaos-theory-fractals-and-the-complexity-of-existence/"><img alt="vessel.jpg" src="http://aivakhiv.blog.uvm.edu/vessel.jpg" width="150" height="150" /></a></p>

<p>Now, back to the main issue of objects and relations. Levi summarizes Harman's objections to relationalism (which he agrees with), saying, first, that "Harman argues that were objects nothing but the totality of their relations to all other objects then 1) objects would be <em>nothing but </em>a hall of mirrors with no being at all (i.e., there must be something independent of relations to account for the being of objects), and 2) we would be unable to account for the conditions under which change is possible." </p>

<p>To the first point here, I would argue that a hall of mirrors, or whatever metaphor one uses here, is still a <em>something</em>: every hall of mirrors is a <em>particular</em> hall of mirrors, a particular set of relations that has come together in its own way and that continues in time to be always an ever differing/deferring hall of mirrors as it continues to interact with other such (halls of) mirrors. If we wish to call a particular hall of mirrors (identified by slicing through time and pointing to a cross-section of the whole mirror-laden lattice of the world) an "object", we can certainly do that. And if we wish to argue that such an object remains the same object as long as it retains a certain structure (a certain configuration of relations between the mirrors that make it up) and becomes a different object when that structure becomes altered by more than a certain trivial degree (in which case we would have to specify at what point the trivial becomes the significant), then we can do that, too. All of that would follow very useful and common-sensical precedents in coming to grips with the world. </p>

<p>Clarifying Harman's second argument, Bryant adds that "Harman’s point is that were objects the totality of their relations to all other objects in the universe we’d get a crystalline universe where structure is fixed and no change can take place." But here, again, this point seems to me to be merely asserted rather than argued (though I'm sure the arguments appear elsewhere). Bryant had defined Whitehead's and Latour's "ontological relationist" variants of "object-oriented ontology" as the view in which "objects are constituted by their relations to everything else in the universe." A more thorough relationist might argue that objects as such don't really exist; they are, rather, a perceptual artifact, an effect or appearance arising out of a particular relationship, which is the relationship between an observer or subject (something that becomes subjective through a process of subjectivation) and an object or set of objects (the things that become objective to that subject in that moment). An object emerges only in relation to a subject; objectivity is co-emergent with subjectivity. That is, objects alone do not exist, nor do subjects, except insofar as they arise within a system of relations within which objectivity and subjectivity co-emerge. </p>

<p>To say that "subjectivity emerges" is to say that there is perception, feeling, response, and thus agency, even if it be the miniscule amount of it (relative to what we're used to) that one finds in an amoeba or a cell or something even more microscopic. And to say that "objectivity emerges" is to say that something comes into existence which appears real, hard, solid, and which in turn becomes part of the world being responded to the next moment. All of this emerges within every drop of experience, with the universe being experience all the way down (or forward). Since the minutest particle of universe involves an opening, a capacity to act in one direction or another, then creativity and novelty arise, which in turn affect other things (events) and give rise to the lumpy and complexly networked universe that we have.</p>

<p>At the same time, no particular set of such relations (or <em>any </em>relations -- between objects and subjects, between "halls of mirrors", etc.) is identical to any other one. It is only when one conceives of relations as themselves <em>effects </em> or<em> artifacts</em>, i.e. as unchanging (in effect) objects (irony or ironies?), that a relational universe begins to appear crystalline. But relations are not that way. They are moments of becoming (Whitehead's "actual occasions"), made up of perception, feeling, experience, and agency, structured according to the bipolarity of subjectivation (interiority) and objectivation (exteriority). </p>

<p>If the universe is indeed made up of such experiential events, moments of concrescence which come together to form larger emergent networks (e.g., "societies" in Whitehead's terms) -- and if the universe is therefore fundamentally a <em>creative</em> universe -- and recall that Whitehead, Deleuze, and Bergson all strove to account for how creativity and novelty can arise -- then there is no reason to assume that relations remain static, that all relations are identical to all others, and that every "hall of mirrors" simply mirrors all the other mirrors in exactly the same way, all the way down. At least I don't see why that should be.</p>

<p>A final comment: Anyone interested in a more thorough articulation of Bryant's onticology would do well to start with his <a href="http://larvalsubjects.wordpress.com/2010/01/12/object-oriented-ontology-a-manifesto-part-i/">manifesto</a> and its <a href="http://larvalsubjects.wordpress.com/2010/01/19/onticology-a-manifesto-for-object-oriented-ontology-part-2/">follow-up</a>. One curiosity that struck me as I was reading it is that Levi refers repeatedly to the Kantian revolution as the "Copernican revolution." This is a wonderful  analogy to make, but for one thing: the two were, in many ways, each other's opposites. Where Copernicus took humanity <em>out</em> of the center of the <em>physical </em>universe, Kant (with Descartes as his predecessor) placed humanity back <em>in</em> the center of the <em>mental</em> universe -- thereby fixing ever more firmly into place the division of labor between scientists (let's call them the Copernicans), who study the objective workings of "nature", and philosophers (the Kantians), who account for the subjectivity of the human. </p>

<p>Object-oriented ontology, and anti-correlationist speculative realism more broadly, seems want to decenter both of these moves at once by bringing humans <em>back into the thick of things </em> -- as one thing (or, rather, many things) among others. That is, it aims to spread the "center" out across all things and relations. I'm all for that. My hunch, however, is that by putting most of their energies toward getting away from Kant (the mental), we move a little too quickly toward the physicalism of Copernicus. What we need is a balance between these two moves, the post-Kantian and the post-Copernican, a balance  that recognizes subjectivity and objectivity as co-emergent and as both, together, <em>diffused throughout</em> the world. Whether we call the things of that world "objects" or "relations" (or "processes," which I often prefer over "relations") is less important than that we move away not just from the nature/culture and ideal/material dichotomies but also from the <em>subject/object </em>dichotomy. I guess that objectology just rubs me the wrong way because it's not also, simultaneously, a <em>subjectology</em> -- or if it is (and I'm starting to be convinced that it may be), that it's name doesn't reflect that. </p>

<p>As always, all of this comes with the caveat that I am reacting to blog posts rather than to the entirety of either Harman's or Bryant's work (which I've now read bit and pieces of, but not nearly enough). I'm genuinely grateful that they even bother to entertain my criticisms in this format (as opposed to arguments expounded in books or journal articles, which are much more carefully thought through, rigorously reviewed, etc., but which move so much more slowly). And I know that none of us really has the time to be blogging so much when we should be writing and doing all the other things academics do. The occasional flurry (like this) is enjoyable, but I don't want to make them feel pressured to respond (nor indeed to have that pressure come back to me!). </p>]]>
    </content>
</entry>
<entry>
    <title>visualizing immanence</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/01/integral_options_cafe_bbc.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=233" title="visualizing immanence" />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.233</id>
    
    <published>2010-01-30T20:18:40Z</published>
    <updated>2010-01-30T20:26:15Z</updated>
    
    <summary> This beautifully photographed new BBC documentary, The Secret Life of Chaos, evocatively illustrates one way of thinking about immanence, i.e., the spontaneous emergence of beauty and complexity from natural process. Morphogenesis, self-organization, the collapse of Newtonian physics (into chaos/complexity theory, etc.), the &quot;butterfly effect,&quot; fractal geometry, delicious little biographical details about Alan Turing, Edward Lorenz, Benoit Mandelbrot, and others...</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>GeoPhilosophy</b>]]>" />
            <category term="<![CDATA[<b>ImageNation</b>]]>" />
            <category term="<![CDATA[<b>SpiritMatter</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p><object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/YEpZFEIDHdc&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/YEpZFEIDHdc&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="252" height="153"></embed></object></p>

<p>This beautifully photographed new BBC documentary, <a href="http://documentaryheaven.com/the-secret-life-of-chaos/">The Secret Life of Chaos</a>, evocatively illustrates one way of thinking about immanence, i.e., the spontaneous emergence of beauty and complexity from natural process. Morphogenesis, self-organization, the collapse of Newtonian physics (into chaos/complexity theory, etc.), the "butterfly effect," fractal geometry, delicious little biographical details about Alan Turing, Edward Lorenz, Benoit Mandelbrot, and others -- it's all there. Iraqi-born physicist-host Jim Al-Khalili gives us the enthusiasm and hipness of a newfangled (and perhaps more respectable) <a href="http://en.wikipedia.org/wiki/Connections_%28TV_series%29">James Burke</a>, and the music, from Arvo Part's opening strains ("Spiegel im Spiegel") to Satie, Steve Reich, Brian Eno, et al, adds a great deal to the pleasure of watching it. Nice work on BBC's part.</p>

<p>The doc provides helpful tools for visualizing dynamic systems, which are part of what's making it possible for science and culture, Latour's two poles of the "modern constitution," to work their way toward a rapprochement. What's still missing is the integration of first-person subjectivity -- mind as opposed to body -- which biosemiotics (drawing on Peirce, von Uexkull, Bateson, Sebeok, et al), Whiteheadian process metaphysics, enactive cognitivism, and related schools of thought, help to get at. To actually bring these together into a successful and convincing synthesis -- one that would put Newton, Descartes, and the rest fully into the past and put cognitive science on a much stronger footing (in my opinion) -- will require a lot more work, of course. Philosophers in particular have their work cut out for them (as my recent <a href="http://larvalsubjects.wordpress.com/2010/01/30/meriologies-and-objects/">exchange with Levi Bryant</a> might suggest). </p>

<p><a href="http://www.bbc.co.uk/programmes/b00pv1c3">The Secret Life of Chaos</a> is in six 10-minutes segments, but if you only have a few minutes to sample it now, watch the bit on feedback loops and the butterfly effect, starting at the 4'50" mark here:</p>

<p><object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/OPbD2sKfMvI&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/OPbD2sKfMvI&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="252" height="153"></embed></object></p>

<p>Incidentally, John Law's post-Actor-Network-Theory <em>After Method: Mess in Social Science Research</em>, which I've mentioned positively a few times here recently, has now been made available at the fabulous ever expanding scholar-hipster's online library <a href="http://a.aaaarg.org/text/9063/after-method-mess-social-science-research">aaaarg.org</a>. A few  of the missing social-science pieces I mentioned work their way into Law's book... </p>

<p><em>Thanks to <a href="http://integral-options.blogspot.com/2010/01/bbc-secret-life-of-chaos.html">Integral Options Cafe</a> for blogging about the BBC doc, which just premiered in the UK this past week.</em></p>]]>
        
    </content>
</entry>
<entry>
    <title>the politics of objects &amp; relations</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/01/objects_relations_politics.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=232" title="the politics of objects &amp; relations" />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.232</id>
    
    <published>2010-01-29T17:32:37Z</published>
    <updated>2010-01-29T17:36:57Z</updated>
    
    <summary>The objects versus relations debate has revved up again over at Larval Subjects, in the commentary responding to Levi Bryant’s Questions about the possibility of non-correlationist ethics. The debate, as I would describe it, circles around the following question: If we agree that traditional philosophy has been too centrally premised on the relationship between humans and the world at the...</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>GeoPhilosophy</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p>The objects versus relations debate has revved up again over at Larval Subjects, in the commentary responding to Levi Bryant’s <a href=http://larvalsubjects.wordpress.com/2010/01/28/questions-about-the-possibility-of-non-correlationist-ethics/>Questions about the possibility of non-correlationist ethics</a>. </p>

<p>The debate, as I would describe it, circles around the following question: If we agree that traditional philosophy has been too centrally premised on the relationship between humans and the world <em>at the expense of the world itself</em> (with all its other things, beings, entities, relations, and whatnot), then is it better to promote a philosophy that focuses on <em>objects</em>, that is, not just on human subjects/objects but <em>all </em>objects, or one that focuses on <em>relations</em> between things (subjects, objects, networks, processes, whatever)? The first approach is taken by object-oriented philosophers like Bryant, <a href=“http://larvalsubjects.wordpress.com/2010/01/28/graham-live/”>Graham Harman</a>, and others; the second by relationists, such as those influenced by Deleuze, Whitehead, Bergson, and Spinoza, among others (though the exact list depends on whom you ask; a few recent and recommendable books in this latter tradition are Steven Shaviro’s <a href=“http://books.google.com/books?id=fTYeu54xtkkC&printsec=frontcover&dq=shaviro+criteria&ei=6-hiS_3HHpzUNJ327PQN&cd=1#v=onepage&q=&f=false”>Without Criteria</a>, John Protevi’s <a href="http://books.google.com/books?id=xOBiPgAACAAJ&dq=john+protevi+political+affect&ei=EOliS-71KYvYNfTckdgN&cd=2">Political Affect</a>, and Jane Bennett’s <a href="http://books.google.com/books?id=kNj_QQAACAAJ&dq=jane+bennett+%22vibrant+matter%22&ei=iuliS7i5D53uNLicjI8O&cd=1">Vibrant Matter</a>). </p>

<p>Since I’ve responded to Levi’s points on his blog, I'll restrict myself here to addressing in greater depth the question raised by Levi, Scu, and anxiousmodernman (in their comments) about the politics of relationalism. </p>]]>
        <![CDATA[<p>Scu writes: "I agree there is a lot of exciting stuff out on the questions of relations. What I’ve felt is lacking is (1) a radical commitment to egalitarianism, and (2) an understanding of how to translate the theory of relations into more concrete situations. If you feel that stuff is out there, drop me some cites!"</p>

<p>Levi writes: “Politically, unless we begin from the premise that terms are ontologically distinct from their relations, I don’t see how anything like emancipation or change is possible. Badiou has understood this well. It is only where you have a radical ontological nominalism or independence of terms from their relations that it’s possible to reconfigure relations. Where, by contrast, relations are ontologically internal to their terms this sort of change is not possible.”</p>

<p>What I’ve objected to in Levi’s description of relations (as I have in the past to Graham Harman’s) is the argument that a relational picture of the universe leaves us with no way of understanding difference, uniqueness, and change. If things are nothing but their (internal and external) relations, then the world somehow must become a lumpy mass of undifferentiated wholeness. As Levi puts it (correcting for typos here, since this was a quick reply to a comment of mine), "Ontologically, if objects are their relations it would be impossible for change to take place. The universe would become a crystalline and static lattice because it wouldn’t contain any alterity within it in excess of relations. Additionally, nothing at all would exist because where everything is a mirror or relation to everything else there is nothing at all."</p>

<p>But this isn't a fair description of a relational understanding of things. Just as an object-oriented ontology takes note of distinctions between different kinds of objects (shapes, sizes, etc.), so a process-relational ontology takes note of distinctions between different relational processes: fast and slow, thick and thin, complex and simple, extensive and intensive, linear and multilateral, hierarchical and decentralized or egalitarian, etc. Relational processes have unfolded historically in ways that have given the world its highly complex and variable textures: its folds, thicknesses, speeds, movements, rhythms, consistencies, patterns, trajectories. That we find ourselves in amidst these folds, rhythms, and trajectories does not imply that we don't exist or that we cannot act. We <em>are</em> our actions (including our reactions, deliberations, etc.); we are not separate from them. But a single action, such as brushing one's teeth, hardly <em>exhausts</em> the things that one is doing at a give moment (glancing at the mirror, remembering what one looked like yesterday or as a child, thinking of what to say to one's spouse upon re-entering the bedroom, digesting and experiencing pains associated with that, firing neurons, pumping blood, etc.). Since "I," the one brushing teeth (which I do as a series of habitual movements), am fully intertwined with/in a material body, a form of lively matter that carries with it all sorts of capacities including those that are put into motion when we remember things, act on impulses or habits, etc., then there is always much more going on than "I" think "I" am doing. Consciousness is just one small (but important) piece of it all. </p>

<p>"I" am not restricted to "my body" nor to a given state of "mind." But "I" am also not a permanent, self-subsistent entity that is separate from my relations (including those "I" may be conscious of but probably many, many more of those that "I" am unconscious of but mutually co-dependent with). What am "I," then? A congealment of consistency, creativity (capacity for action), and recognition to which I ascribe the subjective identifiers “I,” “me,” “mine.” These congealments are changing, dynamic processes, which wouldn’t arise if there wasn’t an action of self-ascription. But it’s <em>all</em> action, all process, all becoming; there’s nothing permanent “behind” it. There’s certainly a carry-over from one moment to the next, a memory that persists through duration, existing simultaneously with the perception of the world that arises moment to moment, with both always changing, renewing, recalibrating, structurally coupling with its environment and accessing its available resources (available in and through the materiality of what it carries with it and of what it encounters). It winds its way up, works its way through various occasions (relational encounters, etc.) and eventually winds its way down, smoothly and slowly or quite suddenly, becoming something quite different (which it is always doing to some extent, but which it fully does only when the recognizable human social-body-subject "dies"). </p>

<p>This is "my" life, my being-towards-death if that's how I choose to think of it (as Heidegger would) or simply my appearing-amidst-constant-appearance/disappearance. Ultimately it is not "mine," because "I" was never there as a solid entity, nor will I ever be. I am present in my action at this very moment, acting on capacities, affordances and effectivities (to use J. J. Gibson's language), present when I wake up and "come to," and then present again when I come to the next time and connect that moment to the one I carry in "my" body-memory-materiality. Where am I when I am sleeping? Of course, there is no "I" except when "I-ness" winks into existence; the continuity of that "I-ness" is a result of carrying things forward. (This is a pretty Bergsonian way of describing things, consistent both with Whitehead and with Deleuze, but also with Buddhist onto-phenomenalism.)</p>

<p>Yet, finding ourselves continually within a social and relational world within which we are causally (or karmically, to use an Asian term meaning essentially the same thing) intertwined, having capacities for tremendous acts of empathy/sympathy and for grotesque acts of antipathy, our "I-ness" is inflected with ethical potential because of its very <em>openness</em>, its very ability to <em>do</em> either this or that or something else. And the complex sociality of our world also allows us to formulate patterned ways of interacting -- and so, to develop and implement social contracts, standards and rules, and the like, or, for that matter, to contravene them, change them, agitate for more egalitarian conditions, etc. </p>

<p>This description of the world is really not that different from an object-oriented description except that it explicitly recognizes the <em>temporality</em> of what it is describing. But that difference to me seems crucial. It is a description that assumes that the world is made up of verbs rather than nouns. Now, this analogy of language would suggest that a more accurate description of the world may be one that includes <em>both </em>verbs and nouns, i.e., both processes and things -- enduring, consistent, and relatively obdurate <em>things</em>. And that’s fine. But it’s the <em>relative</em> consistency or fluidity that is the key here, because there is nothing that stays the same eternally, at least not in a process-relational worldview. Such a view recognizes temporality as central, whereas an object-oriented view will tend toward forgetting it because of the assumptions of (relative) permanence, stability, and self-subsistency that come with the idea of "objects."</p>

<p>So what I'm suggesting is that a relational approach gets at politics <em>better </em>than a non-relational one, since it allows us to focus on the <em>qualities </em>of relations, their fairness and evenhandedness, and on the processual nature of everything, e.g. on life processes from their emergence to their  disappearance. This sounds a bit teleological in an Aristotelian fashion, i.e. with the implication that everything has its natural process of flourishing that, all else being equal, we should allow to unfold. There is something like that -- a respect for process -- in a relational (i.e., process-relational) ethic. There is also the possibility of throwing up one's hands and saying, "Well, everything dies in the end anyway, so what does it matter?" But will an object-oriented ethic, one that says that "all objects are like this," "all deserve this kind of treatment," etc. -- i.e., a post-anthropocentric Kantianism, which seems the natural destination for an object-oriented ethic, if I'm reading it correctly -- convince someone who isn't interest or capable of kindness and compassionate we-feeling? Conviction and commitment arise out of experience, with all its emotional engagement, not out of a merely rational assent to doctrines and rules.</p>

<p>In response to Scu’s question about relational theory’s commitment to egalitarianism and its applicability to concrete situations: I know it’s easy to think of examples of traditional forms of relational philosophy, such as those developed in Asia (Buddhism, Taoism, et al.) as well as in non-Christian western and indigenous contexts, and to argue that the societies within which these developed did not give rise to the kind of egalitarian thinking that emerged in Western culture. Buddhist and Taoist philosophers certainly had a lot to say about liberation, and also some to say about egalitarianism, but Indian, South-East Asian, Chinese, and Japanese societies in general did not develop and <em>put into practice</em> the kinds of concepts of individual rights that we consider “egalitarian” today. </p>

<p>This, however, abstracts philosophy from a whole cultural milieu in a way that is too simplistic and deterministic (and that could cut in more directions than one). There was much else going on in those societies than just philosophy and politics, and the one (philosophy) was hardly the unique causal determinant of the other (politics), or vice versa. Also, one can offer plenty of counterexamples, such as indigenous societies (say, those of Australian Aborigines or South American rainforest dwellers), that were relatively egalitarian <em>and </em>relational-holistic in their outlooks. (There are many possible debates here, but the argument has been made repeatedly, e.g. by <a href="http://books.google.com/books?id=iesFAAAACAAJ&dq=pierre+clastres&ei=Bv5iS-f0HJ7UNP6TnLgH&cd=2">Pierre Clastres</a>, David Turnbull, Gerardo Reichel-Dolmatoff, Stanley Diamond, Murray Bookchin, <a href="http://books.google.com/books?id=PJ6FQgAACAAJ&dq=david+graeber&ei=7_9iS5KFCpDYNvKvgb0L&cd=4">David Graeber</a>, and others; and while most of these are somewhat dated, the tradition persists). And there are good cases of relational philosophers -- Spinoza (most obviously), Deleuze, Foucault and other poststructuralists among them -- whose politics are egalitarian in a fairly strong sense of the word. Within environmental ethics/philosophy, relational approaches include Arne Naess's Spinozan "deep ecology," John Cobb's Whiteheadian process ecotheology, Joanna Macy's Buddhist eco-ethics, and many versions of ecofeminism. They contrast in this respect with the more individualist forms of animal ethics such as Peter Singer's utilitarianism or Tom Regan's deontological ethics, or the bio-(not eco-)centrism of Paul Taylor, Holmes Rolston, and others.</p>

<p>Relationalism, however, comes in many forms. I think of actor-network theory as a form of relationalism, since its analyses (of which there are many, in such fields as science and technology studies, organizational studies, human/cultural geography, etc.; see, for instance, John Law’s book <a href="http://books.google.com/books?id=E20X7N0nBfQC&printsec=frontcover&dq=law+%22After+method%22+john&ei=awBjS4C8JpvKMa2V3e8N&cd=1#v=onepage&q=&f=false">After Method</a> for reference to various examples) focus on the processes by which networks of various kinds, extents, stabilities, obduracies, etc. are formed and hold together or fail to hold together over time. Harman has made Latour out to be an ‘objectologist’ rather than a ‘relationalist,’ but I think his work more naturally falls into the tradition of relational theorizing. (Since few studies of actor-network theory have been concerned with this object/relation debate, they haven’t bothered to make that point, but most, to my knowledge, take for granted that Latourian ANT shares more with other processual-relational approaches than with other kinds of theoretical frameworks.) Perhaps less contentiously, the same can be said of Deleuzian and most other poststructuralist approaches, and, to varying degrees, to those found in biosemiotics, Gibsonian ecological psychology, Batesonian systems theory, and certain other fields. These are all quite different, and they are just a sampling of some that I have found useful (for a few others, see Dan Little’s post from yesterday on <a href=http://understandingsociety.blogspot.com/2010/01/relations-processes-and-activities.html”>relations, processes, and activities</a>). But they generally prioritize relations over things, processes over fixed structures, and they have been “translated into concrete situations” in that they are used as research methodologies or analytical approaches in a range of scholarly work. Various kinds of Marx-inspired dialectical approaches (such as those found in the work of geographers David Harvey, Henri Lefebvre, Neil Smith, and others) also focus on processes rather than objects, though these sometimes err towards over-reifying capitalism -- which is very much in the nature of the Marxian project. (And which has its virtues; but a good antidote to that overreification is found in J. K. Gibson-Graham's <a href="http://books.google.com/books?id=Ei-8RHkKIxUC&printsec=frontcover&dq=gibson-graham&ei=HwFjS5-LApy6M66NsZwO&cd=1#v=onepage&q=&f=false">The End of Capitalism (as We Knew It)</a> and <a href="http://books.google.com/books?id=DJsu3ngZoSMC&printsec=frontcover&dq=gibson-graham&ei=HwFjS5-LApy6M66NsZwO&cd=2#v=onepage&q=&f=false">A Postcapitalist Politics</a>.)</p>

<p>As for relationalism's capacity for <em>egalitarian</em> (strictly speaking) politics, that too is a tricky question. Before one can evaluate the extent of egalitarianism versus non-egalitarianism (i.e., hierarchy or various kinds of class, gender, race, or species bias, etc.) in a certain context, one must specify what it is that is being compared. If it’s people, then egalitarianism requires treating human individuals equally. If it’s cultures (as in cultural relativism, as popularized in many anthropological studies), then it’s social/cultural collectives. If it’s objects, then… well, one would have to define what qualifies as an object and what doesn’t -- which perhaps is where object-oriented approaches need to spend a fair bit of time (which is where I would get exasperated if I had to do that). On the other hand, if it’s cultural-ecological ensembles/assemblages/networks, as in some environmental anthropological work, then one either has to find clear boundaries around such assemblages (which cultural ecologists in the 1960s and 1970s tried to do, but their work has since been critiqued for reifying said cultures and ecosystems in unrealistic ways), or one has to focus on relations. In the best of such work, one focuses on both, and on multiple scales of relations and organizational structures/systems/networks. </p>

<p>But maybe there is a difference here after all... It's quite possible that an object-oriented ontology makes it easier to measure things that are fundamentally of the same kind (objects as defined in such and such a way), and is therefore more amenable to <em>egalitarianism</em> to the extent that "equality" is considered a kind of sameness that is distributed across a certain set of entities. A relational ontology, on the other hand, prefers to focus not on equality but on <em>qualitivism</em> -- that is, the notion that we should act in a way that preserves and enhances the quality of relations. I’ve argued elsewhere for an “ethic of circulating agency,” where what we value is that the ability to act, to pursue one’s goals, to respond to others, to grow and to flourish, is <em>kept in motion </em>, i.e., that it is actively distributed across the terrain within which the capacity emerges for such action, pursuit, responsiveness, and growth. I have yet to develop that idea in any philosophical depth, but I think it’s consistent with a poststructuralist and post-constructivist process-relational approach to politics.</p>

<p>Enough on that for now. I should end by mentioning how this relational philosophizing is working its way into my writing at the moment. Some of it has appeared throughout my work on landscape, space and place, environmental conflicts, and the various cultural dimensions of these things (such as in my book <a href="http://books.google.com/books?id=QNHTOvnZ3poC&printsec=frontcover&dq=ivakhiv+claiming&ei=jAJjS5nHOKLGNbjArJsJ&cd=1#v=onepage&q=&f=false">Claiming Sacred Ground</a>). In the past, I had been concerned more with working my way out of a "social constructionist" frame, or rather out of the realist-constructivist dichotomy (see, e.g., this shorter piece <a href="http://www.uvm.edu/~aivakhiv/Orchestrating_Sacred_Space.pdf">here</a> or this <a href="http://www.uvm.edu/~aivakhiv/Toward.pdf">more extended, theoretical article</a>, which is heavy on actor-network theory but somewhat preliminary and undertheorized in its discussion of other approaches; both are several years old now). Various cultural-ecological case studies that I've worked on over the years are being worked <em>over </em>into my book "Ecologies of Identity," which is still some time away from being completed; the philosophical content there, however, is subsumed within a more broadly political and historical argument about emergent global public/media space and globalist and anti-globalist projects within that space. My <a href="http://www.uvm.edu/~aivakhiv/MovingImage.html">film book</a>, however, has been growing more philosophical as I write it -- in fact, I've come to thinking of it as an "ecophilosophy of the cinema." So that's one place where some of these ideas will be worked out in greater depth, at least in terms of how they relate to cinematic perception. I'm hoping to have that completed before the summer, and out whenever it comes out, so watch for it if you're interested.  </p>]]>
    </content>
</entry>
<entry>
    <title>&quot;clean&quot; coal </title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/01/_fascinating_case_unfolding_in.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=231" title="&quot;clean&quot; coal " />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.231</id>
    
    <published>2010-01-28T16:06:08Z</published>
    <updated>2010-01-28T16:29:21Z</updated>
    
    <summary>Today is National Coal Ash Action Day, as MountainJustice.org reminds us -- see the information there on what you can do about it. Meanwhile, Climate Ground Zero reports on a fascinating case unfolding in West Virginia&apos;s coal country, where tree sitters have halted blasting of a mountaintop by Massey Coal company. Climate justice folks have taken the old growth forest...</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>EcoCulture</b>]]>" />
            <category term="<![CDATA[<b>Politics</b>]]>" />
            <category term="<![CDATA[<b>SoundScape</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p>Today is National Coal Ash Action Day, as <a href="http://www.mountainjustice.org/events.php?id=197">MountainJustice.org</a> reminds us -- see the information <a href="http://www.mountainjustice.org/events.php?id=197">there</a> on what you can do about it. Meanwhile, <a title="Climate Ground Zero" href="http://climategroundzero.net/2010/01/man-arrested-helping-tree-sit-abuse-of-sitters-continues/">Climate Ground Zero</a> reports on a fascinating case unfolding in West Virginia's coal country, where tree sitters have halted blasting of a mountaintop by Massey Coal company. </p>

<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/-bMO66ajBN0&color1=0xb1b1b1&color2=0xcfcfcf&hl=en_US&feature=player_embedded&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param><embed src="http://www.youtube.com/v/-bMO66ajBN0&color1=0xb1b1b1&color2=0xcfcfcf&hl=en_US&feature=player_embedded&fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="212.5" height="172"></embed></object></p>

<p>Climate justice folks have taken the old growth forest protection movement's most direct form of direct action to a place where it's clearly about justice, not just trees (as <a href="http://books.google.com/books?id=b6S0AAAAIAAJ&q=appalachian+coal+mountaintop+removal&dq=appalachian+coal+mountaintop+removal&ei=_LFhS6WRDKCSyQSng5n5Dw&cd=5">so</a> <a href="http://books.google.com/books?id=uucDAAAAMBAJ&pg=PA36&dq=appalachian+coal+mountaintop+removal&ei=_LFhS6WRDKCSyQSng5n5Dw&cd=6#v=onepage&q=appalachian%20coal%20mountaintop%20removal&f=false">many</a> <a href="http://books.google.com/books?id=GyPbVNMZcq0C&dq=appalachian+coal+mountaintop+removal&source=gbs_navlinks_s">have</a> <a href="http://en.wikipedia.org/wiki/Mountaintop_removal_mining">documented</a>, and as Google Earth provides plenty of <a href="http://earth.google.com/outreach/cs_app_voices.html">photographic evidence</a> of). A petition to halt the blasting can be found <a href="http://climategroundzero.net/pettry-petition/">here.</a> (And reading <a href="http://climategroundzero.net/2010/01/man-arrested-helping-tree-sit-abuse-of-sitters-continues/">the comments</a> can be a blast as well.)</p>

<p>One of the things I like about that video, incidentally (and ironically), is that it sounds like a piece of ambient drone music by someone like Nurse With Wound or Zoviet France being performed as if it were one of R. Murray Schafer's <a href="http://findarticles.com/p/articles/mi_qa3683/is_199807/ai_n8785908/">outdoor concerts</a>, on location <em>where it counts</em>. Except that here the horns are being played by real live mining company truckers. And what becomes clear here is that music can be dangerous -- a force of violence, not merely to oneself (when subjecting one's eardrums willingly) but to others. Like a lot of art that comments on atrocity, however, the sonic blasting is only a prelude to the physical blasting that awaits the landscape, or a kind of homeopathic substitute for it if the tree sitters succeed in stopping it from getting to the more destructively physical stage.</p>

<p>Meanwhile, President Obama, despite all the good things in his speech last night (which I generally liked a lot, and which helped renew the feelings of admiration I've had for him all along), worryingly <a href="http://www.grist.org/article/2010-01-27-in-state-of-the-union-obama-panders-to-conservatives-on-clean-en/">continues to dither</a> on the energy issue, speaking not only of "clean coal" <em>as if it actually existed</em> but of off-shore drilling and a whole "new generation" of nuclear plants, and not even mentioning sustainable energy once in a speech that should have been a programmatic reframing of reality. I understand (as I think one of the MSNBC commentators mentioned last night) that he was aiming, in part, to take the wind out of any possible response by Virginia's governor, who gave the Republication response afterward. But please, we need more pressure on the folks in Washington...</p>

<p>Here's an interesting piece on the use of GoogleEarth and GoogleMaps to disclose the reality of the 450+ mountaintops removed to access coal deposits in the United States:</p>

<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/aiSzOiGFa-0&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/aiSzOiGFa-0&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="212.5" height="172"></embed></object><br />
</p>]]>
        
    </content>
</entry>
<entry>
    <title>one of these (ambiguous &amp; contradictory) mornings</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/01/one_of_these_mornings.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=230" title="one of these (ambiguous &amp; contradictory) mornings" />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.230</id>
    
    <published>2010-01-24T16:00:00Z</published>
    <updated>2010-01-24T17:10:29Z</updated>
    
    <summary> Valery Lyman&apos;s 16-minute film, One of These Mornings, captures the pain, the joy, the happiness, and the excitement embodied in the election of Barack Obama to the presidency. Now, a year and a couple of months after that election, Ben Ehrenreich&apos;s Slate piece on the dramatic failures (already!) of the international, but especially US, response to the Haiti earthquake...</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>Politics</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p><object width="640" height="480"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=8866052&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=8866052&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="213" height="160"></embed></object></p>

<p>Valery Lyman's 16-minute film, <a href="http://vimeo.com/8866052">One of These Mornings</a>, captures the pain, the joy, the happiness, and the excitement embodied in the election of Barack Obama to the presidency.</p>

<p>Now, a year and a couple of months after that election, Ben Ehrenreich's Slate piece on the dramatic failures (already!) of the international, but especially US, response to the Haiti earthquake disaster, <a href="http://www.slate.com/id/2242078/pagenum/all/#">Why Did We Focus on Securing Haiti Rather Than Helping Haitians?</a>, forces us to confront the fact that changing the world is not brought about by an election. If Ehrenreich and <a href="http://www.democracynow.org/2010/1/22/security_red_zones_in_haiti_preventing">others</a> are right, it appears that through a combination of knee-jerk militarism, systemic racism, and the <a href="http://www.thenation.com/blogs/notion/517494/">pursuit of economic interest</a> even in the midst of tragedy, Haiti's most needy have not been getting much of the relief that the global community has generously sent out through personal donations via <a href="http://www.boston.com/business/articles/2010/01/19/haiti_donations_flood_aid_agencies/">social networking media alongside traditional aid channels</a>. That's a scandal in itself, and it calls for serious reflection on why so little has changed in this country.</p>

<p>The other big moment of contradiction this past week was the U.S. <a href="http://www.democracynow.org/2010/1/22/in_landmark_campaign_finance_ruling_supreme">Supreme Court decision</a> about corporate "personhood" and unlimited corporate contributions to political campaigns -- which is the biggest single setback to democracy this country has seen in a long time. But, there being a silver lining to every dark cloud, this may also be the moment for Obama to step in and <a href="http://www.nytimes.com/2010/01/24/us/politics/24union.html">take the reins</a> of his multiple-majority power lock and do something with them. (Why is it when Bush had to work with a Democratic majority in Congress he still managed to do so much damage, and when Obama has clear majorities in both houses, his hands are tied? We know, of course, that it's largely because of the beholdenness of all American politicians, wimpy "moderate" Democrats no less than others, to the special interests who fund them -- which the Supreme Court decision has just made that much worse.) </p>

<p>The decision is an easy target for Obama, and at least some of the more moderate Republicans (such as McCain, who's initiated campaign finance reform in the past) as well as Democrats would be hard-pressed to support the decision. As he prepares for his State of the Union address this Wednesday, any American who supports him should take some time in the next couple of days to send a message to the <a href="http://www.whitehouse.gov/CONTACT/">the White House</a> and to, at the very least, sign the <a href="http://pol.moveon.org/fairelectionsnow/">MoveOn.org petition</a> against the Supreme Court decision. For this "progressive" president to act on his promises, he needs to feel the country behind him. One step can lead to another, generating momentum for at least some of the change he had promised; but that first step has to be taken.</p>

<p>Real change is not brought about by a single election, nor by the expression (audacious or otherwise) of hope. It's brought about by the hard work of <em>enacting</em> that hope into practice. Once the conditions are set for a moment of good feeling like that embodied in Valery Lyman's film, we need to ensure these remain not just moments but <em>movements</em>, the moments of jubilation being the froth spraying off the tops of the waves, whose repeated breaking on the shores of our consciousness changes that collective consciousness. Hope needs to be set into motion along multiple vectors -- cultural and institutional -- and at multiple scales. But it requires political leadership, and leadership, in a system of politics as financially corrupted as this one, only comes with repeated kicks from behind. Friendly,  soft, but persistent kicks.</p>

<p><em>Thanks to <a href="http://www.ecuad.ca/~rburnett/Weblog/archives/2010/01/one_of_these_mornings.html">Ron Burnett</a> for sharing the Vimeo link. Of the bloggers I've read commenting on the Supreme Court decision, Sara Robinson's at <a href="http://www.ourfuture.org/blog-entry/2010010322/futurist-weighs-part-ii-things-we-leave-behind">Campaign for America's Future</a>, Chris Vitale's at <a href="http://orbismediologicus.wordpress.com/2010/01/23/networks-politics-and-fitness-landscapes/">Orbis Mediologicus</a>, and Brendan Demelle's at <a href="http://ecobuddhism.blogspot.com/2010/01/when-corporations-rule-world-courtesy.html">Ecological Buddhism</a> provide inspiring and interesting perspectives.</em> And see <a href="http://www.tomdispatch.com/post/175194/tomgram%3A_rebecca_solnit%2C_in_haiti%2C_words_can_kill/">Rebecca Solnit's piece</a> on the disaster of media coverage of Haiti.</p>]]>
        
    </content>
</entry>
<entry>
    <title>exquisite corpse</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/01/exquisite_corpse.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=228" title="exquisite corpse" />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.228</id>
    
    <published>2010-01-22T21:10:53Z</published>
    <updated>2010-01-22T21:20:06Z</updated>
    
    <summary>Michael Bérubé&apos;s In praise of humility is so good I can&apos;t resist posting a link to it. Why, indeed, has the Obama revolution lost its steam? I think Bérubé must be aiming for Andrei Codrescu&apos;s job as NPR&apos;s occasional commentator extraordinaire. Read it and weep (at least until you realize what&apos;s going on). Incidentally, Bérubé&apos;s latest book The Left at...</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>Politics</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p>Michael Bérubé's <a title="In praise of humility — Crooked Timber" href="http://crookedtimber.org/2010/01/22/in-praise-of-humility/">In praise of humility</a> is so good I can't resist posting a link to it. Why, indeed, has the Obama revolution lost its steam? I think Bérubé must be aiming for <a href="http://www.codrescu.com/livesite/">Andrei Codrescu</a>'s job as NPR's occasional commentator extraordinaire. Read it and weep (at least until you realize what's going on). </p>

<p>Incidentally, Bérubé's latest book <a href="http://books.google.com/books?id=t_pmdoRTuOwC&printsec=frontcover&dq=michael+berube&ei=FhJaS_u_NILmzAS7ns3dAw&cd=6#v=onepage&q=&f=false">The Left at War</a> is well worth reading and discussing, even if one doesn't agree with all of it. And, incidentally, the title of this post, which refers to a Surrealist method of collective anti-authorship, isn't intended as a comment on Bérubé's piece but rather about what he is describing. Politics as a stumbling around in the dark, a piecing-together from the bits left by the last guy, with no idea what will come of it. At least <a href="http://www.corpse.org/">Codrescu</a> has the good sense to smell it and marvel at its texture.   </p>]]>
        
    </content>
</entry>
<entry>
    <title>ways to shoot starlings</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/01/ways_to_film_starlings.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=226" title="ways to shoot starlings" />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.226</id>
    
    <published>2010-01-18T17:03:24Z</published>
    <updated>2010-01-18T17:35:44Z</updated>
    
    <summary>&quot;Shoot&quot; as in film, photograph, capture and display, but also fly with them, shoot the rapids of their movement, accompany them, become starling. These mesmerizing videos of moving masses of starlings, &quot;murmurations&quot; as they&apos;re called, like other YouTube animal videos, tell us as much about the phenomenon being watched as about those watching it. 



It all gets going here at around the 3&apos;20&quot; mark. But it would be nice if we were given some alternative soundtrack options. Like this one, with no commentary, just a few intertitles, set to the music of Jan Garbarek and the Hilliard Ensemble: 
[. . .]</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>EcoCulture</b>]]>" />
            <category term="<![CDATA[<b>ImageNation</b>]]>" />
            <category term="<![CDATA[<b>MediaSpace</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p>"Shoot" as in film, photograph, capture and display, but also fly with them, shoot the rapids of their movement, accompany them, become starling. These mesmerizing videos of moving masses of starlings, "murmurations" as they're called, like other YouTube animal videos, tell us as much about the phenomenon being watched as about those watching it. </p>

<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/XH-groCeKbE&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/XH-groCeKbE&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="212.5" height="172"></embed></object></p>

<p>It all gets going here at around the 3'20" mark. But it would be nice if we were given some alternative soundtrack options. Like this one, with no commentary, just a few intertitles, set to the music of Jan Garbarek and the Hilliard Ensemble: </p>

<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/8vhE8ScWe7w&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/8vhE8ScWe7w&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="212.5" height="172"></embed></object></p>

<p>I like the interplay between still shots and motion sequences, and even the traffic moving beneath them, and the sound of the traffic, adds a nice touch.</p>

<p>Bill Oddie's video is as much about the starlings as about its quietly awestruck observer, with his whispered play-by-play, Qigong-like imitative acrobatics, and the way he holds his hands up for warming to the blue TV-screen light of the starling-filled sky:</p>]]>
        <![CDATA[<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/MuY9hJ6gKeI&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/MuY9hJ6gKeI&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="212.5" height="172"></embed></object></p>

<p>As the starlings are allowed to get going ("cascading down... the waterfall", as he says), we're again given piano accompaniment, though it's less intrusive than in the first one above or than the music in this next one, where a brash, distorted (and far too loud) radio soundtrack is allowed to transmogrify into Ave Maria accompanied by a turn signal, the starling watchers going on a little chase, like the tornado hunters that sprang up all around the Midwest US in the wake of the movie "Twister":</p>

<p><object width="560" height="340"><param name="movie" value="http://www.youtube.com/v/tpWEBALUbAk&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/tpWEBALUbAk&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="252" height="153"></embed></object></p>

<p>In California, starlings are, as North American ornithologists like to remind us, exotic "nuisance birds" (harumph). There's a lot that a complex-systems theorist could tell us about their movement. And, of course, this kind of thing is replicated in phenomena all across the natural world -- in schools of fish (as shown in David Attenborough's ocean documentaries), ants, etc. </p>

<p>But what's at the heart of our fascination, I think, is that it's such a good example of what Deleuze or Bergson would call an encounter of different speeds, different sheets of time -- ours and the starlings'. Their speed is much quicker than anything we are capable of, and they disappear into the collective movement of it. We also get absorbed in motion, while skiing, for instance, or in the midst of competitive sports, improvised music (when it works), or sex (ditto), but even then our collectively integrated speed is nothing like this.</p>

<p>There are dozens, maybe hundreds, of these videos on YouTube, most of them shot poorly, probably using a cell phone or digital camera video. Their poor quality sometimes combines with atmospheric conditions -- here it seems to be raindrops or perhaps condensation -- to create a nearly abstract landscape moving-image:</p>

<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/EZURdyz7JHs&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/EZURdyz7JHs&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="212.5" height="172"></embed></object></p>

<p><em>Thanks to Natasha (whose <a href="http://adanceaday.wordpress.com/">year of dancing</a> completed itself at the solstice) for sharing the first of these.</em><br />
</p>]]>
    </content>
</entry>
<entry>
    <title>ecology, Deleuze/Tarkovsky, &amp; the time-image</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/01/making_headway_into_gilles_deleuzes.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=220" title="ecology, Deleuze/Tarkovsky, &amp; the time-image" />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.220</id>
    
    <published>2010-01-16T13:46:00Z</published>
    <updated>2010-01-16T15:10:55Z</updated>
    
    <summary>Gilles Deleuze&apos;s cinema books make for difficult reading, and if one is to make headway into them, it helps not only to know something about Bergsonian philosophy, Piercian semiotics, and the history of film, but also to have clips at hand of the films Deleuze discusses. Fortunately, Corry Shores has been very helpfully compiling such clips, with excerpts from the books, at his Deleuze Cinema Project 1 blog site. [. . .]

As an art form of time, cinema can help us arrive at a more adequate understanding of the nature of time. If Deleuze is correct and the production and dissemination of a &quot;direct&quot; image of time within cinema expands our capacity to conceive of our own and the world&apos;s temporality -- or, rather, expands our capacities for ethically inhabiting time, for thinking, feeling, and affectively being with others, for generating productive syntheses in the differential fabric of the world, for becoming -- then moving-image media hold great potential for our ability to understand and visualize the relationship between the world and ourselves in our common nature as time, duration, becoming, and change. [. . .]</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>GeoPhilosophy</b>]]>" />
            <category term="<![CDATA[<b>ImageNation</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p>Gilles Deleuze's <a href="http://books.google.com/books?id=WKGsHmlEfYkC&printsec=frontcover&dq=deleuze+cinema&ei=UElLS6jnKZ2sM93MhYgO&cd=1#v=onepage&q=&f=false">cinema books</a> make for difficult reading, and if one is to make headway into them, it helps not only to know something about Bergsonian philosophy, Piercian semiotics, and (a lot about) the history of film, but also to have clips at hand of the films Deleuze discusses. Fortunately, Corry Shores has been very helpfully compiling such clips, accompanied by excerpts from the books, at his <a href="http://deleuzecinemaproject1.blogspot.com/">Deleuze Cinema Project 1</a> blog site. </p>

<p>The two books are books of philosophy centered on the moving image -- a term that is somewhat redundant in a <a href="http://www.horschamp.qc.ca/9903/offscreen_essays/deleuze1.html">Deleuzian/Bergsonian framework</a>, for which everything is (in) movement and becoming, and in which the image, which is both visual and auditory, is part of the very texture, or nature, of things. Deleuze, in other words, does not distinguish between a thing and its representation; rather, there are things, which are always in motion, in process, in becoming, and these things appear as "images," which can be visual, auditory, etc., depending on the sensory equipment that is brought to them. Since the images are always in motion, it is cinema, the art of the moving image, that has best come to capture this quality of world-in-motion. The books are primarily dedicated to articulating Deleuze's Bergsonian (and Piercian) schema and to setting out a fairly detailed typology of images. Its historical argument -- that a shift after World War II allowed for the emergence of the "time-image", which comes to supplement and ultimately supplant the "movement-image" -- can be taken, albeit loosely, or left, but its ontological underpinnings are original, powerful, and I believe very useful for an emergent eco/geophilosophy.</p>

<p>Marcy Saude's <a title="three colors, all black on Vimeo" href="http://vimeo.com/user1061364">5 or 6 minutes on cinematic time</a> is a nice short video discussing Deleuze's "time-image" concept over clips from Rosselini's Umberto D, Bela Tarr's Satantango and Gus van Sant's Gerry:</p>

<p><object width="400" height="302"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=2587598&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=2587598&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="200" height="151"></embed></object></p>

<p>As I see it, there are at least three reasons why Deleuzian film theory should be of interest to ecophilosophy. The first is the same reason why Deleuze is of interest more generally: because in providing one of the most coherent and self-consistent accounts of the world as process and change, his philosophy helps us understand the ways that things -- i.e. relational systems from the molecular to the social to the ecological -- come together and drift apart, territorialize and detteritorialize, with us, psycho-biological processes that we are, caught amidst them and acting from <em>within</em> them <em>upon </em>them (and upon ourselves). </p>

<p>The second reason is Deleuze's Bergsonian and Piercian (and somewhat biosemiotic) focus on the image and its nature as carrier of affect. This brings imagination -- the perception of things as not only a passive "reception" of what is "out there" but also an active reconception and engagement with the images and image-affects -- to the center of cultural and environmental theory. Environmentalism needs a better understanding of how images do their work in the world; Deleuze can help with that.<br />
</p>]]>
        <![CDATA[<p>The third reason has to do with time and our perception and understanding of it. One of the key insights of ecology is that everything comes from somewhere and goes somewhere -- everything is in motion between one state of matter/energy and another -- and when we treat something as a mere resource bank or waste disposal site, as a source or a sink, a "from" or an "away to," we relegate a subset of the circular or systemically interrelated processes that make up the self/world system to a shadowy "outside," hoping to forestall its return by a kind of freezing of time. We make a cut in time, but this cut is artificial, conceptual, and ultimately unsustainable; the "real" will return in one form or another. (This is precisely where an ecological ontology becomes most congruent with <a href="http://aivakhiv.blog.uvm.edu/2009/11/nagarjuna_ecophilosophy_the_practice_of_liberation.html">Buddhist ontology</a>, and at least partly resonant with psychoanalysis. In Buddhism, there are no inherently self-existent things; there are only relational processes within which what we perceive as "things," "selves," etc., are codependently arisen, always changing, and destined to pass from their current state into another, and another, and another.) </p>

<p>Time, then, does not stand still, and as our society induces progressively quicker rates of change on and in the world, it also intensifies its efforts to stave off the changes that it sets into motion. We want to freeze property lines, national boundaries, and personal and group identities, to stop the aging of our bodies, to squeeze out as much productivity as we can from a dwindling resource base, and we want to do all that without facing the inevitable repercussions -- collapsing ecosystems, population movements, and the like -- that these all set into motion.</p>

<p>As an art form of time, cinema can help us arrive at a more adequate understanding of the nature of time. If Deleuze is correct and the production and dissemination of a "direct" image of time within cinema expands our capacity to conceive of our own and the world's temporality -- or, rather, expands our capacities for <em>ethically inhabiting time</em>, for thinking, feeling, and affectively being with others, for generating productive syntheses in the differential fabric of the world, for <em>becoming</em> -- then moving-image media hold great potential for our ability to understand and visualize the relationship between the world and ourselves in our common nature <em>as</em> time, duration, becoming, and change. </p>

<p>Time-lapse photography is perhaps too obvious an example of cinema's creative reimagination of time. Andrei Tarkovsky's long slow takes of landscapes in decay and decomposition are another. Take, for instance, the pool sequence from <em>Stalker</em>:</p>

<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/QQYrR4Stos4&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/QQYrR4Stos4&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="212" height="172"></embed></object></a></p>

<p>Like all of Tarkovsky's long takes, this one is about the "<a href="http://www.horschamp.qc.ca/new_offscreen/deleuzian_pressure.html">pressure of time</a>" running through the shots. More specifically, <em>Stalker</em> is about the time that it takes to arrive at the yawning gap, the dark void and open wound that is at the center of the self; like all his films, it is about our relationship and elemental interdependence with the earth and with God (in Tarkovsky's preferred language; Heideggerians, pagans, and Jamesian ontological pluralists would say "with the gods"). </p>

<p>For a few Deleuzian readings of Tarkovsky, see <a href="http://www.erudit.org/revue/cine/2003/v13/n3/008710ar.html">here</a>, <a href="http://mss.sagepub.com/cgi/reprint/2/1/103">here</a>, and <a href="http://horschamp.qc.ca/new_offscreen/deleuzian_pressure2.html">here</a>. <em>Zerkalo (The Mirror)</em> is full of mesmerizing time-image sequences like these (which do begin to yield some meaning in the <a href="http://horschamp.qc.ca/new_offscreen/deleuzian_pressure2.html">context</a> of the rest of the film):</p>

<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/xhxT0g2ZAfg&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/xhxT0g2ZAfg&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="212.5" height="172"></embed></object></p>

<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/PBZsj8FPSbo&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/PBZsj8FPSbo&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="212.5" height="172"></embed></object></p>

<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/xauZHRX5cyk&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/xauZHRX5cyk&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="212.5" height="172"></embed></object></p>

<p>But the slowness of (certain kinds of) thought and memory so evident in Tarkovsky is only one form of time-image. Cinematically imaged time can also be mercurially swift, or recursive; it can be one of multiple rhythms and counterpoints, coexistent "sheets of past" unfolding in parallel, at different speeds, meshing together, converging and diverging and spinning by each other, overlapping in thick and thin streams of duration and relational motion. The identity of a person, a place, an idea, can crystallize in moments where past (memory) and present converge onto an open future; but it can also seethe with tension or be torn asunder. Deleuze's <a href="http://allfordeadtime.wordpress.com/2009/10/30/deleuze-and-the-crystal-image/">crystal-image</a> is a moment that simultaneously looks <em>forward</em> to the not-yet and <em>back</em> to a past that set the conditions for it. It is a forking bifurcation point pregnant with possibilities and at the same time caught in the momentum of time's flow(s), a "point of indiscernibility" between the <em>actual</em> of perception and the <em>virtual</em> of recollection, an image that "makes visible" the "hidden ground of time, that is, its differentiation" or "splitting" into "two flows, that of presents which pass and that of pasts which are preserved" (see <em>Cinema 2</em>, esp. pp. 78-83, 98). </p>

<p>Understanding identity/subjectivity and its vicissitudes -- how subjectivity congeals under pressure, how it opens and escapes its own frames -- is part of the project whereby seven billion humans can come to a more workable accommodation with each other and with the other life forms we share the Earth with. To the extent that moving image media can generate viscerally felt images of the times of things -- things in production and in decay, in differentiation and in synthesis, things making up the unfolding materiality of the world, of identity and of relationality (in all their narratively spun forms), and the swift, dark flow of their vanishing -- to that extent cinema is a powerful tool for eco/geophilosophy.</p>

<p>I'm still working out the implications and limitations of this argument. Deleuze, for instance, considers Eisenstein's dialectical montage as a form that subordinates time to an overarching historical meaning, and what I've been describing can be taken as a variation of that -- a subordination of time not to Marxist dialectical materialism but to a broader, socio-ecological materialism, a form of <a href="http://findarticles.com/p/articles/mi_m1310/is_1994_July-August/ai_16060639/">Dovzhenkian</a> pantheism (which Tarkovsky was arguably a pre-eminent practitioner of). For Deleuze, there's something more radical in the way cinema touches the quicksilver serpent of time -- not the time of this or of that, but time <em>itself</em>. And yet, the aberrant cuts and false continuities of the time-image have also become tamed in more recent cinema, having become cliches of bad art films and also part of the new normal within the digital-era mainstream (as John Mullarkey argues in his excellent <a href="http://books.google.com/books?id=u8fIPQAACAAJ&dq=mullarkey+refractions+reality&ei=NSNOS9LpOpKQNdvtxJEN&cd=1">Refractions of Reality</a>). </p>

<p>What I like most about Tarkovsky is the way he combines the density of memory -- the persistence of the past -- with materiality, the very thingness of things, which, as processes, carry their own inevitable future, their own demise and transformation. This combination suffuses, breathes through, practically every image in his films. It's not time as an abstraction that is shown in Tarkovsky's "time-images"; it is materiality, which <em>is</em> time; as are we. </p>

<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/RXYhLF2z_NM&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/RXYhLF2z_NM&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="212.5" height="172"></embed></object></p>

<p><em>The availability on YouTube of individual sequences of films, sequences with alternate soundtracks, remixes of sequences you would never see watching the original film, etc., all makes writing about film more enjoyable and communicable. Since I'm currently doing that (writing about film), expect more clips and posts like these in the future.</em></p>]]>
    </content>
</entry>
<entry>
    <title>Hell, nature, &amp; justice in Haiti</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/01/what_do_we_do_in.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=224" title="Hell, nature, &amp; justice in Haiti" />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.224</id>
    
    <published>2010-01-14T16:16:47Z</published>
    <updated>2010-01-14T17:33:23Z</updated>
    
    <summary> What do we do in the aftermath of such a disaster, except to express profound sadness, shock, and sympathy, and to send donations to aid and relief organizations working in the affected areas? How do we even portray it in a way that respects the victims? Citizen media, according to Media Nation blogger Dan Kennedy, have gotten ever better...</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>MediaSpace</b>]]>" />
            <category term="<![CDATA[<b>Politics</b>]]>" />
            <category term="<![CDATA[<b>SpiritMatter</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p><a href="http://www.nytimes.com/slideshow/2010/01/13/world/20100113-HAITIQUAKE_4.html"><img alt="32623657.JPG" src="http://aivakhiv.blog.uvm.edu/32623657.JPG" width="200" height="128" /></a></p>

<p>What do we do in the aftermath of such a disaster, except to express profound sadness, shock, and sympathy, and to send donations to aid and <a href="http://www.huffingtonpost.com/2010/01/12/haiti-earthquake-relief-h_n_421014.html">relief</a> organizations working in the affected areas? How do we even portray it in a way that respects the victims?</p>

<p>Citizen media, according to <a href="http://www.dankennedy.net/2010/01/13/citizen-media-and-the-earthquake-in-haiti/">Media Nation</a> blogger Dan Kennedy, have gotten ever better at providing a sense of the real-time reality unfolding on the ground in situations like this, but they still <a href="http://www.cjr.org/the_observatory/new_media_crucial_in_aftermath.php">have limitations</a>. The best of the established media seem to be rounding up bloggers and tweets and connecting the diaspora community with their loved ones, in their general effort to cover what is happening. As Global Voices' excellent <a href="http://globalvoicesonline.org/specialcoverage/haiti-earthquake-2010/">Haiti earthquake page</a> shows, reports are being compiled in numerous places, such as <a href="http://haiti.ushahidi.com/">here</a>, and even <a href="http://en.wikipedia.org/wiki/Haiti_earthquake">Wikipedia</a> is doing a reasonable job staying on top of it.  </p>

<p>Academics who know the area are responding by spinning some context around it, to help the rest of us understand the history that has made Haiti the poorest country in the hemisphere, least able to withstand a shock like this. In his <a href="http://www.guardian.co.uk/commentisfree/2010/jan/13/our-role-in-haitis-plight">piece in yesterday's Guardian</a>, philosopher <a href="http://versouk.wordpress.com/2010/01/14/peter-hallward-on-our-role-in-haitis-plight-in-the-guardian/">Peter Hallward</a> blames a long history of US and colonial intervention, neoliberal economic policies, and the vacillations of the international community for the extent of the tragedy. Despite its being a couple of decades old, I know of no better account of that history than Eduardo Galeano's <a href="http://books.google.com/books?id=ooqlPwAACAAJ&dq=eduardo+galeano+open+veins+latin&ei=rCZPS_PVJZPyNLWSrewM&cd=2">Open Veins of Latin America</a> and his later <a href="http://www.amazon.com/Genesis-Memory-Trilogy-Eduardo-Galeano/dp/0393317730">Memory of Fire</a> trilogy.</p>

<p>But then there's nature, in her guise as unpredictable Mother, angry <a href="http://www.mysticvoodoo.com/papa_legba.htm">Papa Legba</a>, vengeful <a href="http://www.nytimes.com/2010/01/14/opinion/14bhatia.html">Jehovah</a>. The most egregious of religious interpretations is evangelical pastor Pat Robertson's <a href="http://www.youtube.com/watch?v=S5nraknWoes&feature=player_embedded">despicable comment</a> blaming Haitians for their own disaster, claiming they had made a "pact with the devil" in overthrowing the French and have since been reaping its fruits. Voilà: rising up against unjust rule is bad when non-Christians do it, but good when it's Robertson's own Americans in their revolution. But <a href="http://abcnews.go.com/GMA/white-house-advisor-valerie-jarrett-speechless-pat-robertson/story?id=9555714">reacting</a> to such ignorance is too easy and does little (immediately) for the victims of the tragedy. </p>

<p>And there's nature in the dark purity of the (f)act itself: nature acts, for no "reason," wiping tens or hundreds of thousands in the simple scratch of an itch. Nature is not <em>just</em>. </p>

<p>That said, nature is also never merely nature either. We are part of the nature that acts, part of the system of relations by which the earth twists and moans and writhes in its sleep. There's little point in looking for a global warming "signature" here. Rather, it's about vulnerability -- and its just (or unjust) distribution among us. As the world globalizes, as we come to see and feel the pain on our screens, we come to build the body of humanity. But the building of it is highly, deeply, radically uneven. An anthropologist working in Haiti, whose e-mail was forwarded to me by a friend, laments the news coverage, "which depicts this as a natural catastrophe, when the real problem is substandard <a href="http://www.nytimes.com/2010/01/14/world/americas/14construction.html">housing</a> and lack of infrastructure."  </p>]]>
        <![CDATA[<p>This imbrication of ecology, cultural difference, religion, and justice calls to mind some responses to that other hot topic in the popular blogosphere -- bear with me for a moment here -- James Cameron's <a href="http://aivakhiv.blog.uvm.edu/2009/12/avatar_panthea_v_the_capitalist_war_machine.html">Avatar</a>. This January 4 post by <a href="http://thehaitianblogger.blogspot.com/2010/01/sacred-avatar-hometree-is-mapou-tree-in.html">The Haitian Blogger</a> on <a href="http://avatar-forums.com/showthread.php?t=773">Eywa</a>, the Na'vi sacred tree and its analogue in Haitian Vodun tradition, the Mapou tree, seems all the more poignant given what has happened in the last few days. While Cameron's fictional humans are prepared to take out Eywa in their quest for minerals, as Haitian playwright and human rights attorney <a href="http://www.opednews.com/articles/The-Avatar-Movie-from-a-Bl-by-Ezili-Danto-100104-843.html">Ezili Danto</a> wrote in a critique of the film written a week before the earthquake, </p>

<p>"<em>A real life example of what happened to the fictional Na'vi people in the movie is happening to Haiti right now. The US military took down president Aristide, deported him to Central Africa, and took over Haiti with hired thugs and death squads, then used the UN and the NGO squads to deflect charges of terror, racism and imperialism. Meanwhile the UN is protecting not Haitian rights and sovereignty but the right of the NGOs, corporate greed, sweatshops, trans-national corporations' right to privatization of Haiti's assets - bling (gold, iridium, copper, oil, diamonds, marble) - and the mining and oil companies to do as they please in Haiti.</em>" </p>

<p>Ironically, the Sigourney Weaver scientist character, in trying to defend the Na'vi, at one point says something like "This isn't some pagan voodoo, this is their home and destruction of the Hometree will affect the biological connection to nature's lifeforce of all Na'vi organisms." (I've looked for the actual quote online and only found a series of variations on this.) Danto argues that </p>

<p>"<em>This is the same anthropologist who, later on, in the movie would be rushed to the Tree of Souls and Mo'at, the Na'vi high priestess, for healing through the making of a sacred connection to nature's lifeforce to save her. The whole chanting ritual and raising up of sacred energies pretty much looked like Vodun (in Haiti, Vodun means lifting up "sacred energies").</em>" [. . .]</p>

<p>"<em>When the Omaticaya clan's Tree of Voices and the Ancestors fell, that genocide resonated. It reminded me of how the Catholics in Haiti, destroyed the mapou trees in Haiti because in Haitian Vodun each village compound/Lakou, each family had a tree with the spirit and life of their ancestors. But in the 1940s rejete massacre in Haiti, the US sponsored the burning down of the most sacred of trees and the psychological devastation still hasn't left the Haitian psyche to this day. So much so that trees became, for many, just wood for charcoal burning! I cringed when that Navi tree went down. The Will Heaven and Annalee Newitz reviews have it correct, this is no more than a white savior movie where the "assimilated white" becomes the messiah for the "savages." </em>"</p>

<p>Despite these parallels, Danto critiques the film as a white fantasy -- a debate that <a href="http://www.truthout.org/topstories/123009vh12">continues</a> in various places. </p>

<p>But it's the plight of Haitians that is urgent right now. The same anthropologist I cited earlier suggests donating to <a href="http://www.fonkoze.org">Fonkoze</a>, a microfinance organization that works with women in the Port au Prince area. And there's the <a href="http://american.redcross.org">Red Cross</a>, <a href="http://www.unicef.org">UNICEF</a>, Wyclef Jean's <a href="http://www.yele.org">Yele Haiti</a> foundation, and others.</p>

<p><a href="http://thehaitianblogger.blogspot.com/2010/01/sacred-avatar-hometree-is-mapou-tree-in.html"><img alt="haitian_mapou_tree.jpg" src="http://aivakhiv.blog.uvm.edu/haitian_mapou_tree.jpg" width="203" height="135" /></a></p>

<p><small><em>Worshipers perform a rite honoring the plant spirits during a Vodun ceremony in Souvenance village, Haiti, Monday, March 24, 2008. Hundreds of people come to this village over Easter weekend to participate in one of the holiest pilgrimages, showing their devotion to the spirits marked by drumming, chanting and sacrificial offerings. (Thanks to <a href="<a href="http://thehaitianblogger.blogspot.com/">The Haitian Blogger</a>)</em></small></p>]]>
    </content>
</entry>
<entry>
    <title>climate rage</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/01/climate_rage.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=210" title="climate rage" />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.210</id>
    
    <published>2010-01-12T19:18:57Z</published>
    <updated>2010-01-12T19:21:41Z</updated>
    
    <summary> Just a quick follow-up to the previous post... After the East Anglia flare-up, Paul Krugman was right to ask what fuels the rage behind climate denialism. Anyone who has perused any popular web site on environmental and climate issues will be struck both by the numbers and the utter vehemence of the denialist community. Looking at their own web...</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>EcoCulture</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p><img alt="climategate.jpg" src="http://aivakhiv.blog.uvm.edu/climategate.jpg" width="160" height="130" /></p>

<p>Just a quick follow-up to the previous post...</p>

<p>After the East Anglia flare-up, Paul Krugman was right to ask <a href="http://krugman.blogs.nytimes.com/2009/12/08/climate-rage/">what fuels the rage</a> behind climate denialism. Anyone who has perused any popular web site on environmental and climate issues will be struck both by the numbers and the utter vehemence of the denialist community. Looking at their own web sites is even more disconcerting (I won't draw your attention to them; they're easy enough to find). </p>

<p>One of the things that fuels this is, of course, that it's well funded by the fossil fuel lobby (we've known that for years). Another is simply the organic totality of the American right, the evangelical-capitalist <a href="https://aivakhiv.blog.uvm.edu/mt/mt-search.cgi?IncludeBlogs=1&search=resonance+machine">resonance machine</a>, for whom climate change has become a hinge issue, just as abortion and gay marriage have been for some years now. Krugman puts it down to anti-intellectualism and "mommy party" politics -- "Real men punish evildoers; they don’t adjust their lifestyles to protect the planet" -- which sounds a little like George Lakoff's argument about red staters' "strict father"  politics versus blue staters' "nurturant mother" (which he later changed to "nurturant parent") politics, an oversimplification that captures something, but misses more. </p>

<p>Identity, however, is clearly an important piece of it (as the <a href="http://www.identitycampaigning.org/">Identity Campaigning</a> blog knows), which is why global ecopolitics is now at least as much a matter of communication, image production, and cultural activism as it is of science or policy formulation. </p>]]>
        
    </content>
</entry>
<entry>
    <title>“Climategate” follow-up</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/01/asked_by_an_old_friend.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=222" title="“Climategate” follow-up" />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.222</id>
    
    <published>2010-01-12T17:28:57Z</published>
    <updated>2010-01-12T19:22:01Z</updated>
    
    <summary>Asked by an old and dear friend what I make of the recent “Climategate scandal,” I thought I&apos;d do a quick check on sources summarizing the effect of the hacked East Anglia e-mails on climate change science. To my surprise, the Wikipedia article on the topic is probably as good a place to start as any (as Wikipedia often is,...</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>EcoCulture</b>]]>" />
            <category term="<![CDATA[<b>MediaSpace</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p>Asked by an old and dear friend what I make of the recent “Climategate scandal,” I thought I'd do a quick check on sources summarizing the effect of the hacked East Anglia e-mails on climate change science. </p>

<p>To my surprise, the <a href="http://en.wikipedia.org/wiki/Climatic_Research_Unit_e-mail_hacking_incident">Wikipedia article</a> on the topic is probably as good a place to start as any (as Wikipedia often is, despite its known flaws and potential unreliabilities; the fact that it's both up-to-date and reasonably thorough on this topic allays my fears about <a href="http://www.fastcompany.com/blog/clay-dillow/culture-buffet/wikipedia-decline-scientists-search-answers-wikipedias-numbers">Wikipedia's slow decline</a>, as reported in the digital media a little while back).</p>

<p><a href="http://tigger.uic.edu/~pdoran/012009_Doran_final.pdf">This article</a>, published early last year in <em>EOS: Transactions of the American Geophysical Union</em>, summarizes the results of an extensive survey of climate scientists, which shows that while just over half of Americans believe there is a scientific consensus about human-caused  global warming, 97.4% of actively publishing climatologists agree that human activities are bringing about a warming of the global climate. The study was carried out before the East Anglia e-mail flare-up, but the main thing that the latter would have done to this data is to bring down the level of trust in climate science among the public, especially the American public, not to change the scientific consensus. <a href="http://www.nature.com/nature/journal/v462/n7273/full/462545a.html">This editorial</a> in <em>Nature</em>, one of the two most respected scientific journals on the planet, presents a fair assessment of what the hacked e-mails mean for the scientific community. (The other of the two, <em>Science</em>, has not editorialized about it, but here's the <a href="http://www.cgd.ucar.edu/cas/Trenberth/news/emails.pdf">news piece</a> they published soon after the e-mail issue broke.)</p>

<p><a href="http://www.wunderground.com/blog/JeffMasters/comment.html?entrynum=1184">This piece</a> by Weather Underground meteorologist Jeff Masters usefully summarizes an earlier study by Brown, Pielke, and Annan that shows more or less the same result, and mentions a few of the reasons for the mass media's overemphasis on climate skepticism. Links to other studies of the scientific "consensus" and to statements by leading scientific organizations can be found at the Wikipedia page on <a href="http://en.wikipedia.org/wiki/Scientific_opinion_on_climate_change">scientific opinion on climate change</a> and on the <a href="http://en.wikipedia.org/wiki/Climate_change_consensus">climate change consensus</a>. </p>

<p>While there's little scientific value in these, I find David McCandless's visualizations at Information is Beautiful to be a neat summation of the main <a href="http://www.informationisbeautiful.net/visualizations/climate-change-deniers-vs-the-consensus/">arguments pro and con</a> and of the <a href="http://www.informationisbeautiful.net/2009/climate-change-a-consensus-among-scientists/">scale of consensus</a> (though some of the commenters make a valid point about his approach, which is not very statistically rigorous). The first of these, however, follows the popular media frame of believers-versus-skeptics ("is climate change real or not?"), which is part of the problem of why so many in the public remain underinformed and unconvinced. Coby Beck's <a href="http://www.grist.org/article/series/skeptics/">How to Talk to a Climate Skeptic</a>, at <a href="http://www.grist.org/">Grist.org</a>, delves into the various arguments put forward by the (fossil fuel industry-fueled) denialist machine and by the (reasonably) befuddled public.  </p>

<p>That ought to do for a start... </p>]]>
        
    </content>
</entry>
<entry>
    <title>neuropolitics &amp; environmental communication</title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/01/neuropolitics_environmental_communication.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=221" title="neuropolitics &amp; environmental communication" />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.221</id>
    
    <published>2010-01-11T05:11:51Z</published>
    <updated>2010-01-11T06:20:15Z</updated>
    
    <summary>My article &quot;From Frames to Resonance Machines: The Neuropolitics of Environmental Communication&quot; is coming out in the next issue of Environmental Communication. Here&apos;s the abstract: George Lakoff’s work in cognitive linguistics has prompted a surge in social scientists’ interest in the cognitive and neuropsychological dimensions of political discourse. Bringing cognitive neuroscience into the study of social movements and of environmental...</summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>EcoCulture</b>]]>" />
            <category term="<![CDATA[<b>MediaSpace</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p><em>My article "From Frames to Resonance Machines: The Neuropolitics of Environmental Communication" is coming out in the next issue of <a href="http://www.tandf.co.uk/journals/titles/17524032.asp">Environmental Communication</a>. Here's the abstract:</em></p>

<p>George Lakoff’s work in cognitive linguistics has prompted a surge in social scientists’ interest in the cognitive and neuropsychological dimensions of political discourse. Bringing cognitive neuroscience into the study of social movements and of environmental communication, however, is not as straightforward as Lakoff’s followers suggest. Examining and comparing Lakoff’s “neuropolitics” with those of political theorist William E. Connolly, this article argues that Connolly’s writings on evangelical-capitalist and eco-egalitarian “resonance machines” provide a broader model for thinking about the relations between body, brain, and culture. Environmentalists, it concludes, should pluralize their “frames” and pay greater attention to the micropolitical and affective effects of their language and practices on the communities within which they act, communicate, and dwell.</p>

<p><em>And a couple of excerpts from the article:</em></p>]]>
        <![CDATA[<p>George Lakoff and William Connolly are two of the more prominent theorists who have attempted to bring ideas from the cognitive and neuropsychological sciences into the social-scientific and political domains. This is by its nature a risky venture, as the field of cognitive science is both rapidly changing and far from paradigmatically unified. This situation leads Gunnell (2007, p. 711) to call cognitive science an ‘‘equal opportunity ideological and methodological resource,’’ as it provides data that could be taken to support a variety of not always compatible positions. Cognitive science is marked by debates over numerous open questions: these include the relationship between the mind and the brain, with some, like Paul Churchland, defending a reductionist ‘‘computational mind’’ and others opting for some form of dualism, parallelism, or defense of ‘‘folk psychology’’; the Darwinian basis of neural architecture, emphasized, for instance, in Stephen Pinker’s notion of a ‘‘language instinct’’ and Daniel Dennett’s theory of cultural ‘‘memes’’; the extent to which that architecture is ‘‘hard-wired’’ or mutable and ‘‘plastic’’; and the significance of the emotions and of embodiment in cognition. [. . .] </p>

<p>Nevertheless, cognitive studies have over the years produced a picture of human cognition and behavior that is somewhat consistent in its generalities, if contested in its details, and that departs from the traditional understanding of humans as rational actors. Instead, rationality is seen as part of a larger set of brain-mind processes involving complex affective, motorsensory, and neural-cognitive responses. While traditional cognitivism favored a view of neural processes as computational and representational, this view has in recent years been strongly challenged, if not supplanted, by an understanding of cognition as ‘‘embodied,’’ ‘‘situated,’’ ‘‘distributed,’’ and ‘‘enacted’’ in the interactive relationship between an organism and its environment. Each of the latter terms -- embodiment, situatedness, distribution, and enaction -- represents a different emphasis connected to somewhat different research programs. The overall picture of an ‘‘embodied mind,’’ however, is now well grounded among leading philosophers of cognition as well as many cognitive scientists themselves. It is not the only approach within the field, but it is no longer a minor or insurgent one either (Anderson, 2003; Calvo & Gomila, 2008; Chemero, 2009; Clark, 1997; Damasio, 1999; Gallagher, 2005; Hutchins, 1995; Rowlands, 1994; Shapiro, 2004, 2007; Thompson, 2007; Varela, Thompson, & Rosch, 2001; Wilson, 2002).</p>

<p>[. . .]</p>

<p>A careful consideration of the history of conservation and environmental movements, however, shows that viscerally experienced non-conceptual elements -- for instance, affect-laden images, and styles of action, of discourse, and of sensibility -- have played an extremely important role in these movements. Without the landscape paintings, photographs, and films of the American West, for instance, the movement to set aside and protect American’s national parks would have been inconceivable (Dunaway, 2005; Runte, 1997). Similarly,  photographs of the whole earth from space shaped an entire generation’s ability to perceive the globality of the world in ways that had earlier been merely theoretical. As visual theorists such as W. J. T. Mitchell (2005) and Susan Sontag (2003) have argued (the latter in her exploration of the photographs from Abu Ghraib), imagery affects us in ways that elude the interpretive frames we may try to place on it. Terms such as ‘‘national park’’ and ‘‘whole earth’’ played an important role in the shifts in environmental consciousness mentioned above, and in this sense Lakoff ’s focus on terminology can be useful. So, however, did the writings of Muir and Thoreau, or, in the case of the space program that produced the whole-earth photographs, key statements made by John F. Kennedy (in his famous speech of May 25, 1961) and Neil Armstrong (‘‘One small step for man . . .’’). All of these, arguably, affected their audiences at a deliberative as well as a more formative or unconscious level. None of these, however, would have had much effect without the extra-linguistic elements that accompanied their reception: the paintings, photographs, tourist posters, and excited eyewitness accounts of Yosemite and Yellowstone; or the hours spent watching grainy black-and-white images on television, newly institutionalized across the nation as the hearth of the family living room, as it broadcasted the Apollo 11 moon landing, with its soundscape of hesitant call-and-response between Houston and the astronauts, its reverent narration accompanied by electronic blips, technical glitches, and pauses, all of which kept a massive national audience poised on the edge of a unique moment in history. In each case, there is a dimension of feeling and emotional or affective ‘‘contagion’’ (Hatfield, Cacioppo, & Rapson 1994; Tomkins, 1995) that is transmitted and shared as a result of impulses that are often too fragmentary, backgrounded, or imperceptible to be measured, but which taken together have a deeply resonant impact.</p>

<p>Connolly’s notion of ‘‘resonance machines’’ suggests the importance of such nondiscursive elements in social change. The role of ‘‘image events’’ in mass-mediated environmentalism has been addressed by some environmental communication scholars (Brereton, 2005; DeLuca, 1999; Dobrin & Morey, 2009; Dunaway, 2005), but these have rarely been connected to the insights of neuropsychological research in the way that Connolly proposes. Images and image events, for Connolly, connect not only with discourses and rhetorically shaped identities (as DeLuca, 1999, argues), but also with sensibilities expressed and shared on affective and sub-rational registers. These include a potentially vast range of day-to-day micropolitical and performative practices, such as those associated with green consumption, education, fashion, recycling, art and design, as well as ritualized ways of marking out time and space, such as Earth Days and other ecologically signified calendar events, green-up days at local parks and schoolyards, the restoration of one’s river system, and the like. In this view, the reshaping of the environmental imaginary is more than just a terrain of struggle over competing discourses, but becomes a terrain of personal and social action by which we as individuals and collectives are constituted. [. . .]</p>]]>
    </content>
</entry>
<entry>
    <title>secret language (of scientists) going public </title>
    <link rel="alternate" type="text/html" href="http://aivakhiv.blog.uvm.edu/2010/01/secret_language_of_scientists_going_public.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://aivakhiv.blog.uvm.edu/mt/mt-atom.cgi/weblog/blog_id=1/entry_id=218" title="secret language (of scientists) going public " />
    <id>tag:aivakhiv.blog.uvm.edu,2010://1.218</id>
    
    <published>2010-01-04T03:18:59Z</published>
    <updated>2010-01-04T03:21:15Z</updated>
    
    <summary>At a time when so many social mammal species are in crisis, it&apos;s at least heartening to see news like tonight&apos;s 60 Minutes segment on &quot;The Secret Language of Elephants&quot; or today&apos;s Times Online article &quot;Scientists say dolphins should be treated as &apos;non-human persons&apos;.&quot; The scientific taboo on anthropomorphism is finally lifting, and animal behavior studies are becoming more like anthropology -- something that only the lone rogue anthros like John Lilly or Barbara Noske would have dared call for not too long ago... </summary>
    <author>
        <name>ai</name>
        <uri>www.uvm.edu/~aivakhiv</uri>
    </author>
            <category term="<![CDATA[<b>EcoCulture</b>]]>" />
    
    <content type="html" xml:lang="en" xml:base="http://aivakhiv.blog.uvm.edu/">
        <![CDATA[<p>At a time when so many social mammal species are in crisis, it's at least heartening to see news like tonight's 60 Minutes segment on "<a href="http://www.cbs.com/primetime/60_minutes/video/index.php?pid=FGg9nWTQIa_6ByZg0nVMsPfxhrue8Idh">The Secret Language of Elephants</a>" or today's Times Online article "<a href="http://www.timesonline.co.uk/tol/news/science/article6973994.ece#cid=OTC-RSS&attr=797084">Scientists say dolphins should be treated as 'non-human persons'</a>." The scientific taboo on anthropomorphism is finally lifting, and animal behavior studies are becoming more like anthropology -- something that only lone rogue anthros like John Lilly or <a href="http://books.google.com/books?id=g_PaAAAAMAAJ&q=barbara+noske&dq=barbara+noske&ei=pVxBS4f7IZOuzQTQqLm-DQ&cd=1">Barbara Noske</a> would have dared call for not too long ago... </p>]]>
        
    </content>
</entry>

</feed> 

